Artist profile
µ-Ziq is a British electronic artist working primarily in bass and experimental club music. His output spans IDM-influenced compositions and dancefloor-oriented productions, characterized by intricate sound design and rhythmic complexity.
Compare with another artistPlan a set with µ-Ziq tracks scored against the rest of the catalog
µ-Ziq is a moderate-energy and a warm production — mostly instrumental artist.
Unusually high warmth for Bass / Club.
Across 18 analysed tracks, µ-Ziq averages 46% energy — gentler than 71% of individual Bass / Club tracks — and 35% groove, straighter than 69%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Most tracks sit between 81–164 BPM with a median of 121 · predominantly minor keys (56% minor) · most common key: 8A (A Minor) with 4 tracks.
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We scored every transition between µ-Ziq’s 18 analysed tracks and every track by 12,460 other artists. 16 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
13 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 5 different µ-Ziq tracks.
14 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 5 different µ-Ziq tracks.
19 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 8 different µ-Ziq tracks.
22 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 6 different µ-Ziq tracks.
16 of the 414 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 7 different µ-Ziq tracks.
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different µ-Ziq tracks.
13 of the 576 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 6 different µ-Ziq tracks.
15 of the 504 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 5 different µ-Ziq tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to µ-Ziq by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around µ-Ziq, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
µ-Ziq's tracks in our catalog range from 81 to 164 BPM, with a median of 121 BPM. Across 18 tracks, the most common range falls in the 120–125 BPM bucket.
µ-Ziq's tracks are mostly in minor keys (56% minor across 18 tracks). The most common single key is 8A (A Minor) with 4 tracks.
We scored every transition between µ-Ziq's 18 analysed tracks and every track by 12,460 other artists. 16 catalogues clear the bar by more than chance would give, and Big Dope P, Breaka, DJ Earl are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page.
µ-Ziq sits closest to Kid Spatula, Squarepusher, Jega in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.