Artist profile
Wrigley is an Afro House producer and DJ working within contemporary electronic and house music. Their production centers on the rhythmic and percussive textures characteristic of the Afro House sound.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Wrigley tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Wrigley is a high-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Afro House pocket.
Across 15 analysed tracks, Wrigley averages 65% energy — harder than 71% of individual Afro House tracks — and 78% groove, straighter than 65%.
Measured against 12,606 Afro House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Wrigley’s 15 analysed tracks and every track by 12,460 other artists. 320 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
49 of the 495 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 11 different Wrigley tracks.
48 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 10 different Wrigley tracks.
Muita → iNdumiso feat. SKJ · 8B → 9A · +1 BPM · 91 chemistry
54 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different Wrigley tracks.
51 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different Wrigley tracks.
Tatuaje → Shala Kale · 3B → 4A · same BPM · 90 chemistry
48 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 10 different Wrigley tracks.
55 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different Wrigley tracks.
61 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different Wrigley tracks.
Muita → Lisan Al Gaib - Extended Mix · 8B → 9B · −1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Wrigley by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Wrigley, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Wrigley's tracks in our catalog range from 76 to 125 BPM, with a median of 121 BPM. Across 15 tracks, the most common range falls in the 120–125 BPM bucket.
Wrigley's tracks are mostly in major keys (47% minor across 15 tracks). The most common single key is 5B (E♭ Major) with 3 tracks.
We scored every transition between Wrigley's 15 analysed tracks and every track by 12,460 other artists. 320 catalogues clear the bar by more than chance would give, and Aaron Sevilla, Blanka Mazimela, Darksidevinyl are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Muita into Anhelo, 8B to 8B, 91 chemistry.
Wrigley sits closest to Pavelalt, Røge, Stracure in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
