Artist profile
Wodd is a dubstep producer working within the genre's darker and more experimental territories. Their sound emphasizes intricate bass design and atmospheric textures, contributing to the broader landscape of contemporary dubstep.
Compare with another artistPlan a set with Wodd tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Wodd is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 21 analysed tracks, Wodd averages 72% energy — harder than 74% of individual Dubstep tracks.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 70–150 BPM with a median of 109 · predominantly minor keys (57% minor) · most common key: 7B (F Major) with 4 tracks.
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We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Wodd’s 21 analysed tracks and every track by 12,460 other artists. 227 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
46 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 13 different Wodd tracks.
37 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 15 different Wodd tracks.
We Came To Dance → Fizzy Strings · 4A → 4A · same BPM · 84 chemistry
39 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 14 different Wodd tracks.
Armageddon → Tick Tock · 6A → 5B · −5 BPM · 84 chemistry
48 of the 819 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 14 different Wodd tracks.
We Came To Dance → Freaky Party · 4A → 4A · −5 BPM · 87 chemistry
43 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 14 different Wodd tracks.
We Came To Dance → Blast Like · 4A → 2A · same BPM · 81 chemistry
37 of the 819 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 13 different Wodd tracks.
This Is Not A Test → Spicy Meatball · 7B → 7B · same BPM · 87 chemistry
39 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 13 different Wodd tracks.
Crash Test → Clinch · 7B → 6A · +1 BPM · 83 chemistry
43 of the 798 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 15 different Wodd tracks.
We Came To Dance → Basement Bitches - VIP VIP · 4A → 3B · −5 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Wodd by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Wodd, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Wodd's tracks in our catalog range from 70 to 150 BPM, with a median of 109 BPM. Across 21 tracks, the most common range falls in the 110–115 BPM bucket.
Wodd's tracks are mostly in minor keys (57% minor across 21 tracks). The most common single key is 7B (F Major) with 4 tracks.
We scored every transition between Wodd's 21 analysed tracks and every track by 12,460 other artists. 227 catalogues clear the bar by more than chance would give, and Aweminus, BadKlaat, Cyclops are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: We Came To Dance into Fizzy Strings, 4A to 4A, 84 chemistry.
Wodd sits closest to SampliFire, HOL!, Infekt in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
