Artist profile
Wayne Brett is a house music producer working within the jackin house sound. His work emphasizes the genre's rhythmic intensity and soulful undertones.
Plan a set with Wayne Brett tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Wayne Brett is a moderate-energy with strong groove and drive and a bright production — mostly instrumental artist.
Sits right in the typical Jackin House pocket.
Across 11 analysed tracks, Wayne Brett averages 51% energy — harder than 64% of individual Jackin House tracks — and 78% groove, straighter than 64%.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Wayne Brett’s 11 analysed tracks and every track by 12,460 other artists. 347 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
88 of the 363 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 11 different Wayne Brett tracks.
Well, Well, Well → Keep It Stompin' · 4A → 4A · −1 BPM · 93 chemistry
103 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Wayne Brett tracks.
Untitled 17 → Confrontation · 9B → 9B · +1 BPM · 92 chemistry
85 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Wayne Brett tracks.
Party People → In The Heat Of The Night · 7A → 7A · same BPM · 91 chemistry
100 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Wayne Brett tracks.
Mr. Big → Make Me Want to Rock · 10B → 10B · +2 BPM · 92 chemistry
89 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Wayne Brett tracks.
Music Is My Weapon - Dexagon's Flutastic Remix → Too Tall · 9A → 9A · −1 BPM · 92 chemistry
87 of the 352 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 10 different Wayne Brett tracks.
Alright → Nothing For You · 2A → 2A · −2 BPM · 91 chemistry
107 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Wayne Brett tracks.
Well, Well, Well → Crystal Spring · 4A → 4A · same BPM · 93 chemistry
83 of the 363 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 11 different Wayne Brett tracks.
Well, Well, Well → Watch Out · 4A → 4A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Wayne Brett by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Wayne Brett, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Wayne Brett's tracks in our catalog range from 123 to 125 BPM, with a median of 124 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Wayne Brett's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 11A (F♯ Minor) with 2 tracks.
We scored every transition between Wayne Brett's 11 analysed tracks and every track by 12,460 other artists. 347 catalogues clear the bar by more than chance would give, and Agent Stereo, Barney Osborn, Chemars are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Well, Well, Well into Keep It Stompin', 4A to 4A, 93 chemistry.
Wayne Brett sits closest to Corduroy Mavericks, The Sound Republic, Tommy Largo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
