Artist profile
Underworld is a British electronic music duo comprising Karl Hyde and Rick Smith, known for pioneering techno and house music since the early 1990s. Their work spans ambient, industrial, and dance genres, with notable contributions to film soundtracks and live audiovisual performances. The group has maintained a prolific output across albums, EPs, and collaborative projects.
Compare with another artistPlan a set with Underworld tracks scored against the rest of the catalog
Underworld is a moderate-energy with strong groove and drive artist.
Sits right in the typical Electronica pocket.
Across 23 analysed tracks, Underworld averages 70% groove — groovier than 71% of individual Electronica tracks — and 50% energy, harder than 63%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 68–147 BPM with a median of 127 · predominantly major keys (48% minor) · most common key: 9B (G Major) with 3 tracks.
How Underworld’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Underworld's catalog, warmth has receded; tempos have climbed from ~113 to ~120 BPM; energy has lifted.


Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Underworld’s 23 analysed tracks and every track by 12,460 other artists. 227 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
20 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 5 different Underworld tracks.
Two Months Off - Tim Green Remix → Remind Me · 4A → 4A · +4 BPM · 86 chemistry
21 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 5 different Underworld tracks.
Two Months Off - Tim Green Remix → The Time Is (Now) · 4A → 3A · +3 BPM · 87 chemistry
20 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 4 different Underworld tracks.
Dark And Long - Christian Smith Tronic Treatment Remix → Forcefield, Faces And Phases - Special Sampler Vinyl Pack · 3A → 4A · same BPM · 91 chemistry
22 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 6 different Underworld tracks.
Two Months Off - Tim Green Remix → All Talking · 4A → 3A · same BPM · 89 chemistry
19 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 8 different Underworld tracks.
Two Months Off - Tim Green Remix → Mujer Guapa · 4A → 4A · −1 BPM · 86 chemistry
19 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 7 different Underworld tracks.
Dark & Long - Remastered → Na Da · 12B → 12B · same BPM · 84 chemistry
23 of the 736 transitions between these catalogues reach 80 chemistry. Chance would give 4.2. They come from 5 different Underworld tracks.
Two Months Off - Tim Green Remix → Malfunction · 4A → 5A · +1 BPM · 91 chemistry
18 of the 322 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 6 different Underworld tracks.
Born Slippy - Nuxx / Remastered → Dance With Somebody Tonight · 5A → 4A · −4 BPM · 82 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Underworld by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Underworld, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Underworld's tracks in our catalog range from 68 to 147 BPM, with a median of 127 BPM. Across 23 tracks, the most common range falls in the 125–130 BPM bucket.
Underworld's tracks are mostly in major keys (48% minor across 23 tracks). The most common single key is 9B (G Major) with 3 tracks.
We scored every transition between Underworld's 23 analysed tracks and every track by 12,460 other artists. 227 catalogues clear the bar by more than chance would give, and Black Loops, Fred Everything, Kevin Saunderson are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Two Months Off - Tim Green Remix into Remind Me, 4A to 4A, 86 chemistry.
Underworld sits closest to Orbital, Leftfield, Fluke in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Underworld releases spanning 1993 to 2023, with the most tracks from the 1990s.