Artist profile
Trance (Raw / Deep / Hypnotic) producer and DJ.
Compare with another artistPlan a set with TWO/THREE tracks scored against the rest of the catalog
TWO/THREE is a high-energy — mostly instrumental artist.
Sits right in the typical Trance (Raw / Deep / Hypnotic) pocket.
Across 8 analysed tracks, TWO/THREE averages 54% groove — straighter than 81% of individual Trance (Raw / Deep / Hypnotic) tracks — and 67% energy, harder than 75%.
Measured against 3,409 Trance (Raw / Deep / Hypnotic) tracks on 11 August 2026.



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We scored every transition between TWO/THREE’s 8 analysed tracks and every track by 12,460 other artists. 10 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different TWO/THREE tracks.
Suesa → Torque Bias · 6A → 6A · +1 BPM · 92 chemistry
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different TWO/THREE tracks.
25 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different TWO/THREE tracks.
11 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different TWO/THREE tracks.
Focus → Repetition · 8A → 8A · same BPM · 88 chemistry
10 of the 224 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 3 different TWO/THREE tracks.
11 of the 152 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 3 different TWO/THREE tracks.
Focus → Constant Expression · 8A → 7A · −2 BPM · 88 chemistry
10 of the 176 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 3 different TWO/THREE tracks.
Suesa → Passing Ceres · 6A → 6A · −1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to TWO/THREE by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around TWO/THREE, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
TWO/THREE's tracks in our catalog range from 114 to 152 BPM, with a median of 145 BPM. Across 8 tracks, the most common range falls in the 145–150 BPM bucket.
TWO/THREE's tracks are mostly in minor keys (75% minor across 8 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between TWO/THREE's 8 analysed tracks and every track by 12,460 other artists. 10 catalogues clear the bar by more than chance would give, and Axel Karakasis, DJ Dextro, Klint are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Suesa into Torque Bias, 6A to 6A, 92 chemistry.
TWO/THREE sits closest to Kashpitzky, Vinicius Honorio, Procombo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.