Artist profile
Tony Dee is a techno producer working in peak-time and driving styles. His work centers on the rhythmic and propulsive elements characteristic of contemporary techno production.
Compare with another artistPlan a set with Tony Dee tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Tony Dee is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 9 analysed tracks, Tony Dee sits within a few points of the Techno (Peak Time / Driving) median on energy and groove.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
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We scored every transition between Tony Dee’s 9 analysed tracks and every track by 12,460 other artists. 266 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Tony Dee tracks.
The House → Lost Inside · 3A → 3A · −2 BPM · 91 chemistry
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Tony Dee tracks.
Noise Of Shadow - Macromism Remix → Midnight Magic · 2A → 1A · +2 BPM · 89 chemistry
28 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Tony Dee tracks.
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Tony Dee tracks.
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Tony Dee tracks.
Noise Of Shadow - Macromism Remix → P1dC5 - Tension Edit · 2A → 2A · same BPM · 92 chemistry
29 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Tony Dee tracks.
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Tony Dee tracks.
Noise Of Shadow - Macromism Remix → Dark Voice · 2A → 1A · +3 BPM · 88 chemistry
26 of the 324 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 5 different Tony Dee tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tony Dee by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tony Dee, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tony Dee's tracks in our catalog range from 124 to 129 BPM, with a median of 126 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
Tony Dee's tracks are mostly in minor keys (78% minor across 9 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Tony Dee's 9 analysed tracks and every track by 12,460 other artists. 266 catalogues clear the bar by more than chance would give, and Aney F., Bart Skils, Carlo Ruetz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The House into Lost Inside, 3A to 3A, 91 chemistry.
Tony Dee sits closest to Hollen, Mladen Tomic, Macromism in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Tony Dee releases spanning 2013 to 2014, with the most tracks from the 2010s.
