Artist profile
Techno (Peak Time / Driving) producer and DJ.
Compare with another artistPlan a set with Tomas Andersson tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Tomas Andersson is a restrained with strong groove and a balanced bright/warm production artist.
Unusually low energy and drive for Techno (Peak Time / Driving).
Across 8 analysed tracks, Tomas Andersson averages 36% energy — gentler than 97% of individual Techno (Peak Time / Driving) tracks — and 77% groove, groovier than 61%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
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We scored every transition between Tomas Andersson’s 8 analysed tracks and every track by 12,460 other artists. 2 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 2 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
10 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Tomas Andersson tracks.
Numb → Hypersonic · 2A → 2A · −3 BPM · 86 chemistry
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different Tomas Andersson tracks.
Numb → Pump The Move · 2A → 2A · +1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tomas Andersson by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tomas Andersson, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tomas Andersson's tracks in our catalog range from 120 to 130 BPM, with a median of 128 BPM. Across 8 tracks, the most common range falls in the 130–135 BPM bucket.
Tomas Andersson's tracks are mostly in minor keys (75% minor across 8 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Tomas Andersson's 8 analysed tracks and every track by 12,460 other artists. 2 catalogues clear the bar by more than chance would give, and Carlo Ruetz, Kevin Saunderson are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Numb into Hypersonic, 2A to 2A, 86 chemistry.
Tomas Andersson sits closest to Smash TV, Sylvie Marks & Hal9000, Martini Bros in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Tomas Andersson releases spanning 2003 to 2006, with the most tracks from the 2000s.
