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Artist profile

Tom Pooks

Tech House producer and DJ.

5 tracksTech House· 2005–2007
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Tom Pooks is a moderate-energy with strong groove and drive and a bright production artist.

This artistTypical Tech House
Signature sound

Sits right in the typical Tech House pocket.

How this compares to Tech House

Across 5 analysed tracks, Tom Pooks averages 47% energy — gentler than 78% of individual Tech House tracks.

Measured against 25,372 Tech House tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 125–130 BPM with a median of 128 · predominantly major keys (20% minor) · most common key: 4B (A♭ Major) with 2 tracks.

BPM spread
125–129
4
130–134
1
Key distribution
1A1B12A2B3A3B4A4B25A5B6A6B7A7B18A8B9A9B10A10B11A111B12A12B

Release volume by decade

3
2000s

Tracks in catalog

5 total · sortable
Brother album art
Brother
Tom Pooks, Cadillac Express
125 BPM · 4B · Melodic House & Techno · 78% Peak time
Melodic House & Techno
125
4B · A♭ maj
78%Peak time
—
Pablo Assan?s album art
Pablo Assan?s
Tom Pooks
128 BPM · 1B · Minimal / Deep Tech · 43% Sustainer
Minimal / Deep Tech
128
1B · B maj
43%Sustainer
2006
Trouble - D'julz Remix album art
Trouble - D'julz Remix
Tom Pooks
126 BPM · 4B · Tech House · 36% Sustainer
Tech House
126
4B · A♭ maj
36%Sustainer
2007
Fokalisation album art
Fokalisation
Tom Pooks, Sebass, Harmonik Kontrol
128 BPM · 7B · Techno (Peak Time / Driving) · 45% Sustainer
Techno (Peak Time / Driving)
128
7B · F maj
45%Sustainer
—
Ploof Daddy - Josh Wink Remix album art
Ploof Daddy - Josh Wink Remix
Tom Pooks
130 BPM · 11A · Tech House · 35% Sustainer
Tech House
130
11A · F♯ min
35%Sustainer
2005

Missing one of theirs?

We'll add it — the artist is already in the catalogue, so it lands fast

Related artists

Top 15 by similarity

DJs and producers closest to Tom Pooks by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tom Pooks, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Mogdax
100%
Not in our catalog yet
Ryo Murakami
72%
Not in our catalog yet
Zentex
69%
2 tracks in catalog · Minimal / Deep Tech · no artist page yet
Pablo Akaros
62%
Not in our catalog yet
Franklin De Costa
62%
2 tracks in catalog · Breaks / Breakbeat / UK Bass · no artist page yet
Axel Bartsch
60%
1 track in catalog · Tech House · no artist page yet
Afrilounge
59%
4 tracks in catalog · Electro House
Adam Proll
59%
1 track in catalog · Techno (Peak Time / Driving) · no artist page yet
Franco Cinelli
58%
6 tracks in catalog · Deep House
3 Channels
57%
3 tracks in catalog · Minimal / Deep Tech
Sleeper Thief
56%
3 tracks in catalog · Tech House
Sebastian Roya
54%
Not in our catalog yet
Raudive
52%
2 tracks in catalog · Minimal / Deep Tech · no artist page yet
Mikael Stavostrand
52%
1 track in catalog · Minimal / Deep Tech · no artist page yet
From Karaoke To Stardom
50%
Not in our catalog yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Tom Pooks play at?+

Tom Pooks's tracks in our catalog range from 125 to 130 BPM, with a median of 128 BPM. Across 5 tracks, the most common range falls in the 130–135 BPM bucket.

What key are Tom Pooks's tracks in?+

Tom Pooks's tracks are mostly in major keys (20% minor across 5 tracks). The most common single key is 4B (A♭ Major) with 2 tracks.

Which artists share an audience with Tom Pooks?+

Tom Pooks sits closest to Mogdax, Ryo Murakami, Zentex in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.

When was Tom Pooks most active?+

Our catalog has Tom Pooks releases spanning 2005 to 2007, with the most tracks from the 2000s.