Artist profile
Tom Hutt is a techno producer working in peak-time and driving styles. His work centers on the propulsive, rhythmic frameworks characteristic of contemporary techno production.
Compare with another artistPlan a set with Tom Hutt tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Tom Hutt is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 9 analysed tracks, Tom Hutt averages 84% energy — harder than 77% of individual Techno (Peak Time / Driving) tracks — and 67% groove, straighter than 57%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
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We scored every transition between Tom Hutt’s 9 analysed tracks and every track by 12,460 other artists. 108 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Tom Hutt tracks.
21 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Tom Hutt tracks.
Prisoners → Take It Back · 3A → 3A · +1 BPM · 86 chemistry
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Tom Hutt tracks.
Shinigami → We Touched The Sky · 1A → 1A · +2 BPM · 92 chemistry
23 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Tom Hutt tracks.
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Tom Hutt tracks.
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Tom Hutt tracks.
Black Bones → Supercluster · 10A → 9B · +1 BPM · 90 chemistry
32 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Tom Hutt tracks.
94 Percent → Emergency · 1A → 1A · same BPM · 91 chemistry
22 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 8 different Tom Hutt tracks.
94 Percent → Fervor - Anti-Slam & W.E.A.P.O.N. Remix · 1A → 1A · −1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tom Hutt by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tom Hutt, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tom Hutt's tracks in our catalog range from 125 to 129 BPM, with a median of 127 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
Tom Hutt's tracks are mostly in minor keys (56% minor across 9 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between Tom Hutt's 9 analysed tracks and every track by 12,460 other artists. 108 catalogues clear the bar by more than chance would give, and Bart Skils, Layton Giordani, Loco & Jam are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Shinigami into Lost Boys, 1A to 2A, 90 chemistry.
Tom Hutt sits closest to Lazar (IT), Audiomatiques, Antonio Dafrica in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
