Artist profile
House producer and DJ.
Plan a set with Tom Brownlow tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Tom Brownlow is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 13 analysed tracks, Tom Brownlow averages 63% energy — harder than 75% of individual House tracks — and 86% groove, groovier than 64%.
Measured against 20,959 House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Tom Brownlow’s 13 analysed tracks and every track by 12,460 other artists. 247 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
26 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Tom Brownlow tracks.
At Least Give Me My Sax Back → House Society · 5A → 6A · +1 BPM · 90 chemistry
25 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 4 different Tom Brownlow tracks.
At Least Give Me My Sax Back → Another Day · 5A → 4A · −1 BPM · 89 chemistry
25 of the 481 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 5 different Tom Brownlow tracks.
At Least Give Me My Sax Back → Warehouse · 5A → 5A · −3 BPM · 89 chemistry
25 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different Tom Brownlow tracks.
We Have Something - Extended Mix → 1 For The Muchachos · 7A → 7A · +1 BPM · 89 chemistry
25 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Tom Brownlow tracks.
We Have Something - Extended Mix → You're Never Too Old · 7A → 7B · +1 BPM · 90 chemistry
31 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Tom Brownlow tracks.
What You Want → Weekend Vibes feat. Lee Wilson - Extended Mix · 4A → 4A · −2 BPM · 89 chemistry
26 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 6 different Tom Brownlow tracks.
What You Want → Mine (Club Mix) - Club Edit · 4A → 4A · −3 BPM · 87 chemistry
30 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 6 different Tom Brownlow tracks.
Disco Drama - K & K Remix → Good 4 U · 3B → 3B · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tom Brownlow by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tom Brownlow, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tom Brownlow's tracks in our catalog range from 66 to 130 BPM, with a median of 127 BPM. Across 13 tracks, the most common range falls in the 125–130 BPM bucket.
Tom Brownlow's tracks are mostly in minor keys (77% minor across 13 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Tom Brownlow's 13 analysed tracks and every track by 12,460 other artists. 247 catalogues clear the bar by more than chance would give, and Agent Stereo, Barney Osborn, Disco Ball'z are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: At Least Give Me My Sax Back into House Society, 5A to 6A, 90 chemistry.
Tom Brownlow sits closest to Skyles, Under Above, Carter H in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
