Artist profile
Tima Dee is a drum and bass producer and DJ working within the genre's electronic landscape. Her work reflects the technical precision and rhythmic intensity characteristic of the drum and bass sound.
Compare with another artistPlan a set with Tima Dee tracks scored against the rest of the catalog
Tima Dee is a high-energy and a bright production artist.
Unusually high groove for Drum & Bass.
Across 9 analysed tracks, Tima Dee averages 57% groove — groovier than 87% of individual Drum & Bass tracks — and 70% energy, harder than 78%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Tima Dee’s 9 analysed tracks and every track by 12,460 other artists. 102 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Tima Dee tracks.
Parking Lot → The Order · 6A → 6A · −2 BPM · 90 chemistry
27 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 3 different Tima Dee tracks.
Lost My Mind → Renaissance · 3A → 4A · same BPM · 90 chemistry
29 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Tima Dee tracks.
Lost My Mind → Dark Lights · 3A → 4A · same BPM · 88 chemistry
29 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Tima Dee tracks.
Lost My Mind → I Tried · 3A → 4A · −1 BPM · 87 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Tima Dee tracks.
Lost My Mind → Bangin · 3A → 2A · same BPM · 85 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Tima Dee tracks.
Lost My Mind → Leakproof · 3A → 2B · −1 BPM · 88 chemistry
23 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Tima Dee tracks.
Lost My Mind → Can't You See · 3A → 3A · −1 BPM · 88 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Tima Dee tracks.
Parking Lot → Bassline · 6A → 5A · −1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tima Dee by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tima Dee, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tima Dee's tracks in our catalog range from 72 to 130 BPM, with a median of 88 BPM. Across 9 tracks, the most common range falls in the 90–95 BPM bucket.
Tima Dee's tracks are mostly in minor keys (89% minor across 9 tracks). The most common single key is 3A (B♭ Minor) with 2 tracks.
We scored every transition between Tima Dee's 9 analysed tracks and every track by 12,460 other artists. 102 catalogues clear the bar by more than chance would give, and Agressor Bunx, Culture Shock, Dimension are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Parking Lot into The Order, 6A to 6A, 90 chemistry.
Tima Dee sits closest to Mark Rader, 44hydra in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.