Artist profile
Tim Green is a producer and DJ working in organic house, crafting intricate, sample-driven compositions that blend electronic production with warm, acoustic textures. His work emphasizes groove-oriented arrangements and detailed sound design within the broader deep house and techno spectrum.
Compare with another artistPlan a set with Tim Green tracks scored against the rest of the catalog
Tim Green is a moderate-energy with strong groove and drive artist.
Sits right in the typical Organic House pocket.
Across 56 analysed tracks, Tim Green averages 73% groove — straighter than 79% of individual Organic House tracks.
Measured against 9,924 Organic House tracks on 11 August 2026.
Most tracks sit between 82–127 BPM with a median of 122 · predominantly minor keys (57% minor) · most common key: 8A (A Minor) with 6 tracks.
How Tim Green’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Organic House tempo.
Across Tim Green's catalog, groove has deepened; tempos have eased from ~124 to ~113 BPM; production has brightened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Tim Green’s 40 analysed tracks and every track by 12,460 other artists. 1,428 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Tim Green tracks.
108 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Tim Green tracks.
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different Tim Green tracks.
106 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Tim Green tracks.
Sopia - Extended Mix → Forever · 9A → 9A · −1 BPM · 92 chemistry
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different Tim Green tracks.
Windfish → Silence Seeker · 9B → 9B · −2 BPM · 91 chemistry
107 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Tim Green tracks.
Moss → Manta - Extended Mix · 3B → 2B · −1 BPM · 91 chemistry
113 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 22 different Tim Green tracks.
Walking the World → Yili Lama · 8A → 9A · −1 BPM · 91 chemistry
118 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 22 different Tim Green tracks.
Windfish → Nova Beat - Extended Mix · 9B → 9B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Tim Green by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Tim Green, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Tim Green's tracks in our catalog range from 82 to 127 BPM, with a median of 122 BPM. Across 56 tracks, the most common range falls in the 120–125 BPM bucket.
Tim Green's tracks are mostly in minor keys (57% minor across 56 tracks). The most common single key is 8A (A Minor) with 6 tracks.
We scored every transition between Tim Green's 40 analysed tracks and every track by 12,460 other artists. 1,428 catalogues clear the bar by more than chance would give, and Amonita, Death on the Balcony, Double Touch are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Shiratani into Uletai, 12A to 1A, 90 chemistry.
Tim Green sits closest to Roy Rosenfeld, Sebastien Leger, Guy J in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Tim Green releases spanning 2010 to 2025, with the most tracks from the 2020s.