Artist profile
The Satan is a hard dance and hardcore producer working within the neo-rave sphere. Their output spans energetic, bass-driven compositions characteristic of the broader hard dance movement.
Compare with another artistPlan a set with The Satan tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
The Satan is a high-energy and a balanced bright/warm production — vocal-forward artist.
Unusually high vocal presence for Hard Dance / Hardcore / Neo Rave.
Across 17 analysed tracks, The Satan averages 25% groove — straighter than 85% of individual Hard Dance / Hardcore / Neo Rave tracks — and 76% energy, harder than 59%.
Measured against 12,440 Hard Dance / Hardcore / Neo Rave tracks on 11 August 2026.
Most tracks sit between 88–220 BPM with a median of 200 · predominantly minor keys (65% minor) · most common key: 9B (G Major) with 3 tracks.
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We scored every transition between The Satan’s 17 analysed tracks and every track by 12,460 other artists. 174 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
38 of the 425 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 13 different The Satan tracks.
47 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different The Satan tracks.
64 of the 646 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 16 different The Satan tracks.
38 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 15 different The Satan tracks.
No More Words → Desire - Extended Version · 9A → 8A · −5 BPM · 81 chemistry
37 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different The Satan tracks.
36 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different The Satan tracks.
50 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 14 different The Satan tracks.
35 of the 408 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 12 different The Satan tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Satan by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Satan, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Satan's tracks in our catalog range from 88 to 220 BPM, with a median of 200 BPM. Across 17 tracks, the most common range falls in the 200–205 BPM bucket.
The Satan's tracks are mostly in minor keys (65% minor across 17 tracks). The most common single key is 9B (G Major) with 3 tracks.
We scored every transition between The Satan's 17 analysed tracks and every track by 12,460 other artists. 174 catalogues clear the bar by more than chance would give, and Andy The Core, Angerfist, Anime are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page.
The Satan sits closest to Detest, Hellfish, Djipe in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.