Artist profile
The Police
Rock producer and DJ.
Compare with another artistKeep exploring
Plan a set with The Police tracks scored against the rest of the catalog
The Police on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Rock producer and DJ.
Compare with another artistPlan a set with The Police tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
The Police is a restrained with strong groove and a balanced bright/warm production artist.
Higher groove but lower drive than typical Rock.
Across 5 analysed tracks, The Police averages 28% energy — gentler than 91% of individual Pop tracks — and 76% groove, groovier than 70%.
Measured against 1,071 Pop tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
DJs and producers closest to The Police by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Police, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Police's tracks in our catalog range from 117 to 152 BPM, with a median of 141 BPM. Across 5 tracks, the most common range falls in the 140–145 BPM bucket.
The Police's tracks are mostly in minor keys (80% minor across 5 tracks). The most common single key is 7A (D Minor) with 2 tracks.
The Police sits closest to Sting, Men At Work, Tears For Fears in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Police releases spanning 1980 to 1992, with the most tracks from the 1990s.
