Artist profile
Techno (Raw / Deep / Hypnotic) producer and DJ.
Compare with another artistPlan a set with The Miller tracks scored against the rest of the catalog
The Miller is a moderate-energy with strong groove and drive and a bright production — mostly instrumental artist.
Unusually high brightness for Techno (Raw / Deep / Hypnotic).
Across 10 analysed tracks, The Miller averages 58% energy — harder than 60% of individual Techno (Raw / Deep / Hypnotic) tracks.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.


Missing one of theirs?
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We scored every transition between The Miller’s 10 analysed tracks and every track by 12,460 other artists. 243 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
49 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different The Miller tracks.
63 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different The Miller tracks.
LIM → Coral Reefs · 8A → 9A · −1 BPM · 91 chemistry
49 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different The Miller tracks.
62 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different The Miller tracks.
65 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different The Miller tracks.
Örebro → The Badman · 5A → 6A · same BPM · 91 chemistry
74 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different The Miller tracks.
Grunka → Kaos Temple · 6A → 7A · same BPM · 91 chemistry
61 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different The Miller tracks.
Old Story - Uncertain Remix → Collapse · 1A → 1A · same BPM · 91 chemistry
60 of the 260 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 9 different The Miller tracks.
Degerfors → Plane to Eindhoven · 9A → 8B · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Miller by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Miller, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Miller's tracks in our catalog range from 71 to 145 BPM, with a median of 141 BPM. Across 10 tracks, the most common range falls in the 140–145 BPM bucket.
The Miller's tracks are mostly in minor keys (60% minor across 10 tracks). The most common single key is 5B (E♭ Major) with 2 tracks.
We scored every transition between The Miller's 10 analysed tracks and every track by 12,460 other artists. 243 catalogues clear the bar by more than chance would give, and Altinbas, ANNĒ, Arnaud Le Texier are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: LIM into Purpose, 8A to 8A, 91 chemistry.
The Miller sits closest to William Arist, Alexander Johansson & Mattias Fridell, Kenji Hina in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.