Artist profile
Techno (Peak Time / Driving) producer and DJ.
Compare with another artistPlan a set with The Martian tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
The Martian is a restrained with strong groove and a bright production artist.
Unusually low energy and drive for Techno (Peak Time / Driving).
Across 12 analysed tracks, The Martian averages 32% energy — gentler than 98% of individual Techno (Peak Time / Driving) tracks.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 83–140 BPM with a median of 135 · predominantly minor keys (58% minor) · most common key: 1A (A♭ Minor) with 2 tracks.
How The Martian’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across The Martian's catalog, tempos have climbed from ~128 to ~138 BPM; groove has deepened; production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Martian’s 12 analysed tracks and every track by 12,460 other artists. 29 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 4 different The Martian tracks.
Revenge Of The Wolf → Nuremberg · 12A → 11A · −2 BPM · 87 chemistry
14 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 4 different The Martian tracks.
Revenge Of The Wolf → Running Systems · 12A → 11B · −6 BPM · 85 chemistry
16 of the 336 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 5 different The Martian tracks.
Lost Transmission From Earth → Tango · 2A → 2A · +3 BPM · 88 chemistry
14 of the 348 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 4 different The Martian tracks.
Pow Wow - Fancy Dancer Mix → Nightshade · 2B → 3A · +2 BPM · 89 chemistry
13 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 4 different The Martian tracks.
Revenge Of The Wolf → Broken Keys - Heiko Laux Remix · 12A → 11B · −3 BPM · 87 chemistry
15 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different The Martian tracks.
Lost Transmission From Earth → Fire Alarm · 2A → 2A · −2 BPM · 88 chemistry
13 of the 432 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different The Martian tracks.
Revenge Of The Wolf → The Space · 12A → 12B · −6 BPM · 84 chemistry
16 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different The Martian tracks.
Revenge Of The Wolf → Concentrate - Josh Wink Interpretation · 12A → 1A · +2 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Martian by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Martian, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Martian's tracks in our catalog range from 83 to 140 BPM, with a median of 135 BPM. Across 12 tracks, the most common range falls in the 135–140 BPM bucket.
The Martian's tracks are mostly in minor keys (58% minor across 12 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between The Martian's 12 analysed tracks and every track by 12,460 other artists. 29 catalogues clear the bar by more than chance would give, and Daniel Sbert, Gregor Tresher, Jeff Mills are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Revenge Of The Wolf into Nuremberg, 12A to 11A, 87 chemistry.
The Martian sits closest to Suburban Knight, Underground Resistance, Scan 7 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Martian releases spanning 1992 to 2006, with the most tracks from the 1990s.