Artist profile
The Frim is a dubstep producer and sound designer known for work in the bass music space. Their productions explore textural synthesis and rhythmic complexity within the genre.
Compare with another artistPlan a set with The Frim tracks scored against the rest of the catalog
The Frim is a high-energy with strong groove and a bright production artist.
Unusually low drive for Dubstep.
Across 11 analysed tracks, The Frim averages 60% groove — groovier than 69% of individual Dubstep tracks — and 61% energy, gentler than 61%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
How The Frim’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across The Frim's catalog, groove has deepened; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Frim’s 11 analysed tracks and every track by 12,460 other artists. 219 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
57 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 11 different The Frim tracks.
Don't Do It → Trees · 4A → 4A · same BPM · 92 chemistry
84 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different The Frim tracks.
76 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Frim tracks.
60 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different The Frim tracks.
65 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 10 different The Frim tracks.
Don't Do It → Countdown · 4A → 4A · same BPM · 91 chemistry
58 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different The Frim tracks.
Don't Do It → Hunt To Death · 4A → 5A · same BPM · 90 chemistry
58 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 11 different The Frim tracks.
Feelin Irie → Riding · 6A → 6A · −3 BPM · 91 chemistry
78 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Frim tracks.
Somebody's Cream feat. Barely Alive → Dirty · 4A → 4A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Frim by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Frim, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Frim's tracks in our catalog range from 70 to 150 BPM, with a median of 140 BPM. Across 11 tracks, the most common range falls in the 140–145 BPM bucket.
The Frim's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between The Frim's 11 analysed tracks and every track by 12,460 other artists. 219 catalogues clear the bar by more than chance would give, and Dack Janiels, Datsik, Dodge & Fuski are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Don't Do It into Trees, 4A to 4A, 92 chemistry.
The Frim sits closest to Krimer, Megalodon, TrollPhace in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Frim releases spanning 2013 to 2022, with the most tracks from the 2010s.