Artist profile
The Beatkillers work within breakbeat and UK bass production, crafting rhythmically complex tracks rooted in breaks culture. Their approach emphasizes chopped percussion and bass-heavy arrangements characteristic of the broader breaks and breakbeat scene.
Compare with another artistPlan a set with The Beatkillers tracks scored against the rest of the catalog
The Beatkillers is a high-energy and a balanced bright/warm production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 11 analysed tracks, The Beatkillers averages 61% energy — harder than 74% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.



Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Beatkillers’s 11 analysed tracks and every track by 12,460 other artists. 200 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
86 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Beatkillers tracks.
106 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Beatkillers tracks.
Eagle → Fuck It Up · 7A → 7A · same BPM · 93 chemistry
82 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Beatkillers tracks.
Eagle → This is my trick · 7A → 7A · −4 BPM · 89 chemistry
72 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 11 different The Beatkillers tracks.
Eagle → The Message - SluG (FL) Remix · 7A → 8A · same BPM · 89 chemistry
78 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different The Beatkillers tracks.
1, 2, 3, 4 → Birds Finding Pigs · 6A → 6A · −2 BPM · 91 chemistry
76 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Beatkillers tracks.
Eagle → One More Time · 7A → 7A · −2 BPM · 90 chemistry
80 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different The Beatkillers tracks.
Infernal Domain - Perfect Kombo Remix → No More Do D.A.T - Perfect Kombo & Hankook Remix · 7B → 6B · same BPM · 88 chemistry
62 of the 374 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 11 different The Beatkillers tracks.
Eagle → Gonna Break Ya! · 7A → 8A · −1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Beatkillers by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Beatkillers, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Beatkillers's tracks in our catalog range from 67 to 137 BPM, with a median of 134 BPM. Across 11 tracks, the most common range falls in the 135–140 BPM bucket.
The Beatkillers's tracks are mostly in minor keys (82% minor across 11 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between The Beatkillers's 11 analysed tracks and every track by 12,460 other artists. 200 catalogues clear the bar by more than chance would give, and Bad Legs, Basstyler, Digital Base are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Eagle into Drop It, 7A to 7B, 89 chemistry.
The Beatkillers sits closest to EvilBeat, The Brainkiller, Alt-A in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Beatkillers releases spanning 2015 to 2016, with the most tracks from the 2010s.