Artist profile
T.Ö.T.S. is a hard techno producer working within the darker, industrial end of the genre. Their sound emphasizes driving rhythms and raw sonic textures characteristic of contemporary hard techno production.
Compare with another artistPlan a set with T.Ö.T.S. tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
T.Ö.T.S. is a high-energy with strong groove and drive artist.
Sits right in the typical Hard Techno pocket.
Across 8 analysed tracks, T.Ö.T.S. averages 65% groove — groovier than 63% of individual Hard Techno tracks.
Measured against 9,974 Hard Techno tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between T.Ö.T.S.’s 8 analysed tracks and every track by 12,460 other artists. 28 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 264 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 5 different T.Ö.T.S. tracks.
F__K-OFF → Losing Control · 8A → 8A · −1 BPM · 91 chemistry
17 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different T.Ö.T.S. tracks.
Anymore → Distorted Perception - O.B.I. Remix · 3A → 3A · −1 BPM · 90 chemistry
19 of the 184 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 5 different T.Ö.T.S. tracks.
F__K-OFF → Evil Clowns - Skoden Remix · 8A → 9A · same BPM · 89 chemistry
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different T.Ö.T.S. tracks.
F__K-OFF → Algorythmic · 8A → 7A · +3 BPM · 86 chemistry
15 of the 200 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 6 different T.Ö.T.S. tracks.
F__K-OFF → Du und Ich · 8A → 8A · same BPM · 88 chemistry
17 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different T.Ö.T.S. tracks.
25 of the 152 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 6 different T.Ö.T.S. tracks.
Schöneweide → Drugwork · 3A → 3A · +1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to T.Ö.T.S. by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around T.Ö.T.S., then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
T.Ö.T.S.'s tracks in our catalog range from 113 to 160 BPM, with a median of 156 BPM. Across 8 tracks, the most common range falls in the 155–160 BPM bucket.
T.Ö.T.S.'s tracks are mostly in minor keys (75% minor across 8 tracks). The most common single key is 3A (B♭ Minor) with 2 tracks.
We scored every transition between T.Ö.T.S.'s 8 analysed tracks and every track by 12,460 other artists. 28 catalogues clear the bar by more than chance would give, and Buchecha, Hardtrax, Lukas are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: F__K-OFF into Losing Control, 8A to 8A, 91 chemistry.
T.Ö.T.S. sits closest to Diente De Oro, Malviaje, Nadie Nunca Nada in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
