Artist profile
T.O.M. is a trance producer working within raw and hypnotic electronic frameworks. The artist's output emphasizes deep, minimalist textures and sustained atmospheric tension characteristic of underground trance aesthetics.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with T.O.M tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
T.O.M is a moderate-energy with strong groove and drive artist.
Sits right in the typical Minimal / Deep Tech pocket.
Across 15 analysed tracks, T.O.M averages 69% groove — straighter than 80% of individual Minimal / Deep Tech tracks — and 59% energy, harder than 69%.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between T.O.M’s 15 analysed tracks and every track by 12,460 other artists. 410 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
31 of the 555 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different T.O.M tracks.
38 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 5 different T.O.M tracks.
33 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 5 different T.O.M tracks.
33 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 4 different T.O.M tracks.
35 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 5 different T.O.M tracks.
34 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different T.O.M tracks.
36 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different T.O.M tracks.
Berna → Auto-Pilot · 8A → 8A · same BPM · 92 chemistry
31 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 5 different T.O.M tracks.
Berna → Natural feat. Shyam P · 8A → 8A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to T.O.M by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around T.O.M, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
T.O.M's tracks in our catalog range from 74 to 144 BPM, with a median of 128 BPM. Across 15 tracks, the most common range falls in the 130–135 BPM bucket.
T.O.M's tracks are mostly in minor keys (93% minor across 15 tracks). The most common single key is 9A (E Minor) with 4 tracks.
We scored every transition between T.O.M's 15 analysed tracks and every track by 12,460 other artists. 410 catalogues clear the bar by more than chance would give, and Alvaro AM, Arkady Antsyrev, Christian Burkhardt are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Berna into Mi Patio, 8A to 8A, 89 chemistry.
T.O.M sits closest to Akumen, Trafo, Avi Loud in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
