Artist profile
Submorphics is a drum and bass producer working within the genre's technical and atmospheric dimensions. Their output spans the full spectrum of the scene, from intricate breakbeats to deeper, more textural arrangements.
Compare with another artistPlan a set with Submorphics tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Submorphics is a moderate-energy — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 18 analysed tracks, Submorphics averages 55% energy — gentler than 78% of individual Drum & Bass tracks — and 44% groove, groovier than 57%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How Submorphics’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Submorphics's catalog, tempos have eased from ~101 to ~88 BPM; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Submorphics’s 18 analysed tracks and every track by 12,460 other artists. 710 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
104 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 13 different Submorphics tracks.
Don't Be so Cold → Dozzies · 10A → 9B · +1 BPM · 91 chemistry
100 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 12 different Submorphics tracks.
All Or Nothing Ft. T.R.A.C → Dreamers (feat. L.I.T.A.) - L-Side Remix · 8A → 8A · +1 BPM · 92 chemistry
97 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 11 different Submorphics tracks.
Don't Be so Cold → Turn Down The Lights - Jamezy Remix · 10A → 9A · +1 BPM · 92 chemistry
104 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 12 different Submorphics tracks.
All Or Nothing Ft. T.R.A.C → Give It Up · 8A → 8A · −1 BPM · 92 chemistry
100 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 12 different Submorphics tracks.
Higher Ground - Lenzman Remix → Check It · 9A → 9A · same BPM · 93 chemistry
109 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 12 different Submorphics tracks.
Bayview → Sound of a Feeling · 5A → 5A · +1 BPM · 93 chemistry
100 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 11 different Submorphics tracks.
Burning Love - Lenzman Remix → TAKE ME HIGHER · 8B → 7B · +1 BPM · 91 chemistry
104 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 13 different Submorphics tracks.
Don't Be so Cold → Big Up Inna Dance · 10A → 11A · +1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Submorphics by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Submorphics, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Submorphics's tracks in our catalog range from 65 to 129 BPM, with a median of 88 BPM. Across 18 tracks, the most common range falls in the 90–95 BPM bucket.
Submorphics's tracks are mostly in minor keys (61% minor across 18 tracks). The most common single key is 5A (C Minor) with 4 tracks.
We scored every transition between Submorphics's 18 analysed tracks and every track by 12,460 other artists. 710 catalogues clear the bar by more than chance would give, and Amoss, Bcee, Benny Page are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Don't Be so Cold into Dozzies, 10A to 9B, 91 chemistry.
Submorphics sits closest to Mitekiss, Satl, Lenzman in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Submorphics releases spanning 2013 to 2018, with the most tracks from the 2010s.
