Artist profile
Sublab is a producer working in trap and future bass, creating instrumental and beat-driven work that bridges experimental production with contemporary electronic music aesthetics.
Compare with another artistPlan a set with Sublab tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Sublab is a high-energy and a bright production artist.
Unusually high vocal presence for Trap / Future Bass.
Across 14 analysed tracks, Sublab averages 71% energy — harder than 85% of individual Trap / Future Bass tracks — and 32% groove, straighter than 71%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 71–162 BPM with a median of 145 · predominantly minor keys (79% minor) · most common key: 10A (B Minor) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Sublab’s 14 analysed tracks and every track by 12,460 other artists. 35 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
17 of the 406 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Sublab tracks.
23 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 8 different Sublab tracks.
Into It → MOTION - Deadcrow Remix · 8A → 9A · same BPM · 81 chemistry
29 of the 406 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Sublab tracks.
20 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 9 different Sublab tracks.
18 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 5 different Sublab tracks.
Just Too Numb → Go DJ · 9A → 9A · −2 BPM · 87 chemistry
24 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Sublab tracks.
19 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 8 different Sublab tracks.
18 of the 504 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 10 different Sublab tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Sublab by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Sublab, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Sublab's tracks in our catalog range from 71 to 162 BPM, with a median of 145 BPM. Across 14 tracks, the most common range falls in the 145–150 BPM bucket.
Sublab's tracks are mostly in minor keys (79% minor across 14 tracks). The most common single key is 10A (B Minor) with 2 tracks.
We scored every transition between Sublab's 14 analysed tracks and every track by 12,460 other artists. 35 catalogues clear the bar by more than chance would give, and Boombox Cartel, Deadcrow, Fabian Mazur are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Forever into Good Time, 5B to 5B, 82 chemistry.
Sublab sits closest to Azaleh, CloudNone, Sublab & Azaleh in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Sublab releases spanning 2021 to 2025, with the most tracks from the 2020s.
