Artist profile
STVSH is a dubstep producer working within the genre's electronic and bass-heavy sound design traditions. Their work explores the textural and rhythmic possibilities characteristic of contemporary dubstep production.
Compare with another artistPlan a set with STVSH tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
STVSH is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Dubstep pocket.
Across 10 analysed tracks, STVSH averages 38% groove — straighter than 67% of individual Dubstep tracks — and 66% energy, harder than 58%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between STVSH’s 10 analysed tracks and every track by 12,460 other artists. 98 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different STVSH tracks.
GOOD TIME → The Skreetz · 8A → 7A · same BPM · 90 chemistry
20 of the 230 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different STVSH tracks.
21 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 6 different STVSH tracks.
FRICTION → Extinction · 10B → 10B · +5 BPM · 88 chemistry
23 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different STVSH tracks.
GOOD TIME → Dub For Moving On · 8A → 8A · half-time · 86 chemistry
27 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different STVSH tracks.
32 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different STVSH tracks.
NIGHT SHIFT → Evil Lair · 8A → 8A · +10 BPM · 86 chemistry
20 of the 350 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 7 different STVSH tracks.
FRICTION → Apocalypse · 10B → 10B · −2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to STVSH by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around STVSH, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
STVSH's tracks in our catalog range from 70 to 155 BPM, with a median of 135 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
STVSH's tracks are mostly in minor keys (50% minor across 10 tracks). The most common single key is 10B (D Major) with 4 tracks.
We scored every transition between STVSH's 10 analysed tracks and every track by 12,460 other artists. 98 catalogues clear the bar by more than chance would give, and Aweminus, Chibs, Graphyt are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: GOOD TIME into The Skreetz, 8A to 7A, 90 chemistry.
STVSH sits closest to Phrva, Blurrd Vzn, Pretty Sweet in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
