Artist profile
Stonewash is a producer working in breakbeat and UK bass, crafting instrumental tracks rooted in breaks and sub-bass aesthetics. Their work sits within the broader landscape of contemporary breakbeat production, emphasizing rhythm-heavy arrangements and textural depth.
Compare with another artistPlan a set with Stonewash tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Stonewash is a high-energy and a bright production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 10 analysed tracks, Stonewash averages 61% energy — harder than 76% of individual Breaks / Breakbeat / UK Bass tracks — and 43% groove, straighter than 59%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
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We scored every transition between Stonewash’s 10 analysed tracks and every track by 12,460 other artists. 185 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
49 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 9 different Stonewash tracks.
51 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Stonewash tracks.
Closer Dreams → Shake That Jazz (Jazzy Remixes) vol 2 · 1A → 1A · +2 BPM · 90 chemistry
54 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stonewash tracks.
The Curve Condition (feat. Scorpion) → Dat Beat · 4A → 4A · −4 BPM · 90 chemistry
56 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Stonewash tracks.
Sex Machine - Mutantbreakz Remix → Wilson · 11A → 11A · same BPM · 92 chemistry
56 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Stonewash tracks.
Like A W → Is It Real · 5B → 6A · same BPM · 90 chemistry
66 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Stonewash tracks.
Sex Machine - Mutantbreakz Remix → Harly Rock · 11A → 11A · same BPM · 90 chemistry
52 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Stonewash tracks.
Watch This → Tear Me Down · 1A → 1A · −1 BPM · 90 chemistry
49 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 7 different Stonewash tracks.
Sex Machine - Mutantbreakz Remix → Bigger Bang · 11A → 11A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Stonewash by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Stonewash, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Stonewash's tracks in our catalog range from 81 to 164 BPM, with a median of 130 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.
Stonewash's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between Stonewash's 10 analysed tracks and every track by 12,460 other artists. 185 catalogues clear the bar by more than chance would give, and Baymont Bross, Colombo, Curtis B are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Like A W into Murder, 5B to 5B, 89 chemistry.
Stonewash sits closest to Baymont Bross, The Brainkiller, Kid Panel in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.