Artist profile
Stokka is a drum and bass producer working within the genre's electronic and rhythmic traditions. Their work explores the fast-breakbeat foundations characteristic of the drum and bass sound.
Plan a set with Stokka tracks scored against the rest of the catalog
Stokka is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 10 analysed tracks, Stokka averages 60% energy — gentler than 57% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Stokka’s 10 analysed tracks and every track by 12,460 other artists. 590 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
79 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stokka tracks.
Leave You Behind → Moving On · 4A → 4A · +1 BPM · 92 chemistry
80 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stokka tracks.
Something Brewing → Flute Ting · 4A → 4A · −1 BPM · 93 chemistry
122 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Stokka tracks.
Something Brewing → Hack · 4A → 4A · −1 BPM · 92 chemistry
80 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stokka tracks.
Takka Dub → Now Or Never · 2A → 1A · same BPM · 90 chemistry
100 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stokka tracks.
Leave You Behind → Gateway - Tobax Remix · 4A → 4A · +1 BPM · 93 chemistry
81 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Stokka tracks.
Something Brewing → Think About You · 4A → 4A · −1 BPM · 91 chemistry
86 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 9 different Stokka tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Stokka by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Stokka, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Stokka's tracks in our catalog range from 86 to 172 BPM, with a median of 87 BPM. Across 10 tracks, the most common range falls in the 85–90 BPM bucket.
Stokka's tracks are mostly in minor keys (100% minor across 10 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between Stokka's 10 analysed tracks and every track by 12,460 other artists. 590 catalogues clear the bar by more than chance would give, and Break, Document One, Dub Phizix are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Leave You Behind into Moving On, 4A to 4A, 92 chemistry.
Stokka sits closest to Roc Barakys, Frank Siciliano, Shezan Il Ragio in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.