Artist profile
House producer and DJ.
Plan a set with Steal Tapes tracks scored against the rest of the catalog
Steal Tapes is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 17 analysed tracks, Steal Tapes averages 54% energy — harder than 62% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Steal Tapes’s 17 analysed tracks and every track by 12,460 other artists. 1,443 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
58 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different Steal Tapes tracks.
Joy → Prometheus · 10A → 10A · same BPM · 93 chemistry
65 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Steal Tapes tracks.
60 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Steal Tapes tracks.
55 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Steal Tapes tracks.
Joy → Get Yo Drums Up · 10A → 10A · −1 BPM · 93 chemistry
61 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different Steal Tapes tracks.
Baby → 1 For The Muchachos · 6A → 7A · same BPM · 92 chemistry
66 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Steal Tapes tracks.
In My Mind → The Mixologist - Piem Remix · 3A → 3A · −3 BPM · 90 chemistry
55 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Steal Tapes tracks.
Mood → Cooling Aid · 6A → 6A · +1 BPM · 93 chemistry
57 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Steal Tapes tracks.
Mood → You Don't Love Me · 6A → 5B · −1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Steal Tapes by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Steal Tapes, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Steal Tapes's tracks in our catalog range from 120 to 130 BPM, with a median of 125 BPM. Across 17 tracks, the most common range falls in the 125–130 BPM bucket.
Steal Tapes's tracks are mostly in minor keys (76% minor across 17 tracks). The most common single key is 6A (G Minor) with 4 tracks.
We scored every transition between Steal Tapes's 17 analysed tracks and every track by 12,460 other artists. 1,443 catalogues clear the bar by more than chance would give, and CEV's, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Joy into Prometheus, 10A to 10A, 93 chemistry.
Steal Tapes sits closest to Sound De-Zign, Jesse Maas, Stef Davidse in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.