Artist profile
Stagga is a bass and club music producer known for work within the UK electronic and drum and bass scenes. His productions emphasize heavy low-end design and rhythmic intensity across various club-oriented formats.
Plan a set with Stagga tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Stagga is a moderate-energy — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 19 analysed tracks, Stagga averages 48% energy — gentler than 61% of individual Bass / Club tracks — and 42% groove, straighter than 56%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Most tracks sit between 80–160 BPM with a median of 135 · predominantly minor keys (63% minor) · most common key: 10A (B Minor) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Stagga’s 19 analysed tracks and every track by 12,460 other artists. 34 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
13 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 4 different Stagga tracks.
Fuck Em → Duckin N Divin · 12A → 11A · +5 BPM · 87 chemistry
15 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 6 different Stagga tracks.
16 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 5 different Stagga tracks.
Matrix Reset → 40 Fathoms · 10A → 10A · half-time · 85 chemistry
12 of the 399 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different Stagga tracks.
Wating for Charlie → Up Town Dub · 6A → 6A · same BPM · 90 chemistry
14 of the 741 transitions between these catalogues reach 80 chemistry. Chance would give 4.3. They come from 6 different Stagga tracks.
Fuck Em → Desired State - Unkey Remix · 12A → 11A · +5 BPM · 84 chemistry
13 of the 437 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Stagga tracks.
12 of the 361 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Stagga tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Stagga by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Stagga, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Stagga's tracks in our catalog range from 80 to 160 BPM, with a median of 135 BPM. Across 19 tracks, the most common range falls in the 135–140 BPM bucket.
Stagga's tracks are mostly in minor keys (63% minor across 19 tracks). The most common single key is 10A (B Minor) with 2 tracks.
We scored every transition between Stagga's 19 analysed tracks and every track by 12,460 other artists. 34 catalogues clear the bar by more than chance would give, and Dalek One, DJ Manny, ENiGMA Dubz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Fuck Em into Duckin N Divin, 12A to 11A, 87 chemistry.
Stagga sits closest to Ultrablack, Level 67, Subvert in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
