Artist profile
SSSLIP is a bass and club music producer working in contemporary electronic styles. Their work engages with the aesthetics and production techniques of modern club and underground dance music.
Plan a set with SSSLIP tracks scored against the rest of the catalog
SSSLIP is a moderate-energy — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 10 analysed tracks, SSSLIP averages 56% groove — groovier than 68% of individual Bass / Club tracks — and 47% energy, gentler than 64%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between SSSLIP’s 9 analysed tracks and every track by 12,460 other artists. 6 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 6 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
10 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different SSSLIP tracks.
10 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different SSSLIP tracks.
Pond Gong → Desire Path · 7A → 8A · −4 BPM · 85 chemistry
12 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 5 different SSSLIP tracks.
On The Dial → Rill · 9A → 10A · −2 BPM · 86 chemistry
23 of the 324 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 5 different SSSLIP tracks.
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different SSSLIP tracks.
Pond Gong → Smoke & Lasers · 7A → 7A · −8 BPM · 87 chemistry
13 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different SSSLIP tracks.
Brek Stance → Static · 9A → 9A · −4 BPM · 84 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to SSSLIP by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around SSSLIP, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
SSSLIP's tracks in our catalog range from 66 to 160 BPM, with a median of 130 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
SSSLIP's tracks are mostly in minor keys (90% minor across 9 tracks). The most common single key is 9A (E Minor) with 4 tracks.
We scored every transition between SSSLIP's 9 analysed tracks and every track by 12,460 other artists. 6 catalogues clear the bar by more than chance would give, and Big Dope P, Breaka, Hodge are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Pond Gong into Desire Path, 7A to 8A, 85 chemistry.
SSSLIP sits closest to Marino2, De Grandi, Carre in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.