Artist profile
SPL is a dubstep producer and DJ working within the genre's electronic framework. Known for contributions to the dubstep catalog, SPL maintains an active presence in production and performance.
Compare with another artistPlan a set with SPL tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
SPL is a high-energy and a balanced bright/warm production artist.
Unusually high warmth for Dubstep.
Across 11 analysed tracks, SPL averages 35% groove — straighter than 71% of individual Dubstep tracks.
Measured against 11,781 Dubstep tracks on 11 August 2026.
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We scored every transition between SPL’s 11 analysed tracks and every track by 12,460 other artists. 97 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different SPL tracks.
Ransome Note → Rockin' · 4A → 4A · same BPM · 90 chemistry
19 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different SPL tracks.
Ransome Note → Like A Boss · 4A → 3A · same BPM · 89 chemistry
20 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different SPL tracks.
Ransome Note → Lose Control · 4A → 3B · +5 BPM · 83 chemistry
25 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different SPL tracks.
Ransome Note → 555 · 4A → 4A · same BPM · 86 chemistry
19 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different SPL tracks.
19 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different SPL tracks.
Pistol Pants → IT'S OK (feat. Kozze) · 5A → 5A · same BPM · 92 chemistry
23 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different SPL tracks.
25 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different SPL tracks.
Ransome Note → Game Time - Barely Alive Remix · 4A → 4A · same BPM · 83 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to SPL by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around SPL, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
SPL's tracks in our catalog range from 70 to 150 BPM, with a median of 115 BPM. Across 11 tracks, the most common range falls in the 115–120 BPM bucket.
SPL's tracks are mostly in minor keys (82% minor across 11 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between SPL's 11 analysed tracks and every track by 12,460 other artists. 97 catalogues clear the bar by more than chance would give, and Chime, Eptic, Franky Nuts are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Ransome Note into Rockin', 4A to 4A, 90 chemistry.
SPL sits closest to Limewax, Technical Itch, Audio in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has SPL releases spanning 2012 to 2015, with the most tracks from the 2010s.
