Artist profile
Soul Button
Soul Button is a progressive house producer working within electronic and deep house styles. Their work emphasizes atmospheric textures and rhythmic development characteristic of the progressive house tradition.
Sound profile
Soul Button is a moderate-energy — mostly instrumental artist.
Tracks in catalog
7 total · sortable
Track | BPM · Key | Actions |
|---|---|---|
 Infinitude Soul Button, MPathy | 12410BD Major | |
 Paramour Soul Button | 1205BE♭ Major | |
 Swift Minds Soul Button, Kara Square | 12011BA Major | |
 Dalliance Soul Button | 1233BD♭ Major | |
Reverie Soul Button | 1189BG Major | |
 God Save The Rave - Extended Mix Soul Button | 12311BA Major | |
 Demise - Blancah Remix Soul Button | 1205AC Minor |
Release volume by decade
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Soul Button’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Soul Button and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Soul Button play at?
Soul Button's tracks in our catalog range from 118 to 124 BPM, with a median of 120 BPM. Across 7 tracks, the most common range falls in the 120–125 BPM bucket.
What key are Soul Button's tracks in?
Soul Button's tracks are mostly in major keys (14% minor across 7 tracks). The most common single key is 11B (A Major) with 2 tracks.
What artists mix well with Soul Button?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Soul Button pairs well with Nick Devon, Modeplex, Stan Kolev. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
When was Soul Button most active?
Our catalog has Soul Button releases spanning 2014 to 2022, with the most tracks from the 2010s.
Keep exploring
Plan a set with Soul Button tracks scored against the rest of the catalog
Soul Button on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
