Artist profile
Slyde is a breakbeat and UK bass producer working within the breaks and bass music sphere. Their work engages with the rhythmic complexity and sub-bass aesthetics central to those genres.
Compare with another artistPlan a set with Slyde tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Slyde is a moderate-energy and a bright production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 8 analysed tracks, Slyde averages 50% groove — groovier than 59% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
How Slyde’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Breaks / Breakbeat / UK Bass tempo.
Across Slyde's catalog, warmth has lifted; groove has thinned; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Slyde’s 8 analysed tracks and every track by 12,460 other artists. 141 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
52 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Slyde tracks.
Glitta feat. Lady Posh → Bring It Back · 2A → 3A · same BPM · 91 chemistry
38 of the 296 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 7 different Slyde tracks.
Underground → Haters - 2023 OOF! Mix · 3B → 2B · same BPM · 91 chemistry
37 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Slyde tracks.
We Love It Low feat. N'fa → Bass Levelz · 3A → 3A · same BPM · 93 chemistry
38 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Slyde tracks.
We Love It Low feat. N'fa → Tupolev 95 - Huda Hudia & DJ30A Remix · 3A → 3A · same BPM · 91 chemistry
40 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 7 different Slyde tracks.
Frequency - NAPT Remix → Drop That · 5A → 6A · same BPM · 90 chemistry
39 of the 272 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different Slyde tracks.
Glitta feat. Lady Posh → Animated · 2A → 1A · −1 BPM · 90 chemistry
40 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Slyde tracks.
We Love It Low feat. N'fa → Ding Dong · 3A → 4A · same BPM · 92 chemistry
41 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Slyde tracks.
Glitta feat. Lady Posh → The Power - VIP Mix · 2A → 2A · +2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Slyde by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Slyde, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Slyde's tracks in our catalog range from 65 to 136 BPM, with a median of 130 BPM. Across 8 tracks, the most common range falls in the 130–135 BPM bucket.
Slyde's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 5A (C Minor) with 2 tracks.
We scored every transition between Slyde's 8 analysed tracks and every track by 12,460 other artists. 141 catalogues clear the bar by more than chance would give, and Curtis B, DJ Brownie, Firestar Soundsystem are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Glitta feat. Lady Posh into Bring It Back, 2A to 3A, 91 chemistry.
Slyde sits closest to Soul Of Man, Lee Coombs, Splitloop in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Slyde releases spanning 2005 to 2024, with the most tracks from the 2010s.
