Artist profile
Shur-I-Kan
Deep House producer and DJ.
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Plan a set with Shur-I-Kan tracks scored against the rest of the catalog
Shur-I-Kan on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Deep House producer and DJ.
Compare with another artistPlan a set with Shur-I-Kan tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Shur-I-Kan is a moderate-energy with strong groove and drive artist.
Sits right in the typical Deep House pocket.
Across 31 analysed tracks, Shur-I-Kan averages 70% groove — straighter than 82% of individual Deep House tracks — and 41% energy, gentler than 68%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Most tracks sit between 85–128 BPM with a median of 123 · predominantly minor keys (71% minor) · most common key: 6A (G Minor) with 5 tracks.
How Shur-I-Kan’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Deep House tempo.
Across Shur-I-Kan's catalog, tempos have climbed from ~107 to ~123 BPM; groove has deepened; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Shur-I-Kan’s 30 analysed tracks and every track by 12,460 other artists. 1,780 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
130 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 20 different Shur-I-Kan tracks.
183 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 22 different Shur-I-Kan tracks.
Jingle Jangle → Soulmates · 9B → 9B · −1 BPM · 93 chemistry
132 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 21 different Shur-I-Kan tracks.
Won't Love, Can't Love → Tapas · 10A → 10A · −1 BPM · 91 chemistry
189 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 20 different Shur-I-Kan tracks.
Unfold → Echoes In My Head · 7A → 7A · same BPM · 93 chemistry
132 of the 750 transitions between these catalogues reach 80 chemistry. Chance would give 4.3. They come from 20 different Shur-I-Kan tracks.
Body Double → Brooklyn · 8A → 8A · −1 BPM · 93 chemistry
130 of the 1,140 transitions between these catalogues reach 80 chemistry. Chance would give 6.5. They come from 21 different Shur-I-Kan tracks.
Won't Love, Can't Love → Quartz · 10A → 10A · +1 BPM · 92 chemistry
135 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 21 different Shur-I-Kan tracks.
Body Double → Come On - Bounce To This Mix · 8A → 8A · +1 BPM · 91 chemistry
135 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 20 different Shur-I-Kan tracks.
Body Double → Creed · 8A → 8A · −2 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Shur-I-Kan by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Shur-I-Kan, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Shur-I-Kan's tracks in our catalog range from 85 to 128 BPM, with a median of 123 BPM. Across 31 tracks, the most common range falls in the 125–130 BPM bucket.
Shur-I-Kan's tracks are mostly in minor keys (71% minor across 31 tracks). The most common single key is 6A (G Minor) with 5 tracks.
We scored every transition between Shur-I-Kan's 30 analysed tracks and every track by 12,460 other artists. 1,780 catalogues clear the bar by more than chance would give, and Franck Roger, Fred Everything, Intr0beatz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Unfold into Elevate, 7A to 7A, 93 chemistry.
Shur-I-Kan sits closest to Milton Jackson, Audiomontage, Pezzner in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Shur-I-Kan releases spanning 2000 to 2021, with the most tracks from the 2000s.
