Artist profile
Seven is a dubstep producer working within the genre's experimental and bass-focused traditions. Their work emphasizes intricate sound design and heavy low-end frequencies characteristic of contemporary dubstep production.
Compare with another artistPlan a set with Seven tracks scored against the rest of the catalog
Seven is a moderate-energy — mostly instrumental artist.
Sits right in the typical Dubstep pocket.
Across 9 analysed tracks, Seven averages 56% energy — gentler than 83% of individual Dubstep tracks — and 40% groove, straighter than 64%.
Measured against 11,781 Dubstep tracks on 11 August 2026.

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We scored every transition between Seven’s 9 analysed tracks and every track by 12,460 other artists. 43 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
15 of the 261 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 4 different Seven tracks.
Sound Check Yourself → I Am Tiger · 11B → 12B · same BPM · 84 chemistry
18 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Seven tracks.
Walter White → Sexy Bitch · 10A → 10A · half-time · 89 chemistry
14 of the 162 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 5 different Seven tracks.
Walter White → HeadGone · 10A → 9A · same BPM · 91 chemistry
20 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Seven tracks.
Walter White → Under Control · 10A → 9B · same BPM · 87 chemistry
18 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Seven tracks.
19 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 4 different Seven tracks.
Walter White - Truth Remix → Enter Valarak · 12B → 12B · +2 BPM · 88 chemistry
16 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Seven tracks.
Walter White → Infiniti · 10A → 9B · +3 BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Seven by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Seven, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Seven's tracks in our catalog range from 71 to 140 BPM, with a median of 139 BPM. Across 9 tracks, the most common range falls in the 140–145 BPM bucket.
Seven's tracks are mostly in major keys (22% minor across 9 tracks). The most common single key is 12B (E Major) with 2 tracks.
We scored every transition between Seven's 9 analysed tracks and every track by 12,460 other artists. 43 catalogues clear the bar by more than chance would give, and An-ten-nae, Aweminus, Bommer are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Sound Check Yourself into I Am Tiger, 11B to 12B, 84 chemistry.
Seven sits closest to Time, The Valuator, Vola, Stellar Circuits in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Seven releases spanning 2013 to 2014, with the most tracks from the 2010s.