Artist profile
Sean Biddle is a jackin house producer working within the stripped-back, percussive aesthetic of the genre. His work emphasizes rhythmic precision and deep grooves characteristic of contemporary house production.
Plan a set with Sean Biddle tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Sean Biddle is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical Jackin House pocket.
Across 32 analysed tracks, Sean Biddle averages 55% energy — harder than 74% of individual Jackin House tracks — and 74% groove, straighter than 72%.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Sean Biddle’s 32 analysed tracks and every track by 12,460 other artists. 991 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
227 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 23 different Sean Biddle tracks.
Manhattan Nights → Another Day · 5A → 4A · +1 BPM · 91 chemistry
250 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 23 different Sean Biddle tracks.
Rick's Groove → Come Back · 9A → 9A · same BPM · 92 chemistry
224 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 24 different Sean Biddle tracks.
Same Ol' Song → To Be Bigger · 11B → 11B · −1 BPM · 92 chemistry
213 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 25 different Sean Biddle tracks.
Manhattan Nights → Keep Dancing - 20:20 Revision · 5A → 5A · same BPM · 93 chemistry
193 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 26 different Sean Biddle tracks.
HOUSEPARTY → All Of Me · 7A → 7A · same BPM · 93 chemistry
198 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 25 different Sean Biddle tracks.
Manhattan Nights → Lick It · 5A → 5A · same BPM · 93 chemistry
188 of the 992 transitions between these catalogues reach 80 chemistry. Chance would give 5.7. They come from 25 different Sean Biddle tracks.
Get On Down → Pas De Deux · 7A → 7A · same BPM · 93 chemistry
235 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 26 different Sean Biddle tracks.
Ur So Right → All I Wanna · 8A → 8A · +1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Sean Biddle by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Sean Biddle, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Sean Biddle's tracks in our catalog range from 120 to 130 BPM, with a median of 125 BPM. Across 32 tracks, the most common range falls in the 125–130 BPM bucket.
Sean Biddle's tracks are mostly in minor keys (75% minor across 32 tracks). The most common single key is 10A (B Minor) with 5 tracks.
We scored every transition between Sean Biddle's 32 analysed tracks and every track by 12,460 other artists. 991 catalogues clear the bar by more than chance would give, and Barney Osborn, Chemars, Denats are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Manhattan Nights into Another Day, 5A to 4A, 91 chemistry.
Sean Biddle sits closest to Moussa Clarke & John Ashby, Warren Clarke Presents Jonni Black Vs Shena, Sosua & Mad in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
