Artist profile
Bass / Club producer and DJ.
Plan a set with Rp Boo tracks scored against the rest of the catalog
Rp Boo is a moderate-energy — mostly instrumental artist.
Unusually low drive for Bass / Club.
Across 16 analysed tracks, Rp Boo averages 41% energy — gentler than 87% of individual Bass / Club tracks — and 50% groove, groovier than 58%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Most tracks sit between 77–160 BPM with a median of 119 · predominantly minor keys (56% minor) · most common key: 9A (E Minor) with 3 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Rp Boo’s 16 analysed tracks and every track by 12,460 other artists. 19 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
17 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 8 different Rp Boo tracks.
15 of the 416 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 6 different Rp Boo tracks.
21 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 8 different Rp Boo tracks.
Battle In The Jungle → Bigolbutt · 9A → 8A · +2 BPM · 83 chemistry
15 of the 544 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 6 different Rp Boo tracks.
Battle In The Jungle → Drumatic feat. MoonDoctor · 9A → 10A · +2 BPM · 91 chemistry
23 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 9 different Rp Boo tracks.
Eraser → In da Morning · 12B → 1A · +3 BPM · 81 chemistry
20 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Rp Boo tracks.
19 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 9 different Rp Boo tracks.
B.O.T.O. → Give Me Some More · 7A → 7A · +4 BPM · 87 chemistry
18 of the 448 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 11 different Rp Boo tracks.
Eraser → Take Dat Wig Off · 12B → 1A · same BPM · 80 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Rp Boo by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Rp Boo, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Rp Boo's tracks in our catalog range from 77 to 160 BPM, with a median of 119 BPM. Across 16 tracks, the most common range falls in the 120–125 BPM bucket.
Rp Boo's tracks are mostly in minor keys (56% minor across 16 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between Rp Boo's 16 analysed tracks and every track by 12,460 other artists. 19 catalogues clear the bar by more than chance would give, and Al Wootton, Batu, Big Dope P are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: B.O.T.O. into Off Court, 7A to 7A, 86 chemistry.
Rp Boo sits closest to DJ Elmoe, DJ Spinn, Traxman in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.