Artist profile
Robert S (PT) is a techno producer working in peak-time and driving techno styles. His work emphasizes the propulsive, hypnotic elements central to the genre.
Plan a set with Robert S (PT) tracks scored against the rest of the catalog
Robert S (PT) is a high-energy with strong drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 16 analysed tracks, Robert S (PT) averages 58% groove — straighter than 69% of individual Techno (Peak Time / Driving) tracks.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.




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We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Robert S (PT)’s 16 analysed tracks and every track by 12,460 other artists. 679 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
58 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 13 different Robert S (PT) tracks.
Skittish V2 → Take Off · 8A → 8A · +2 BPM · 89 chemistry
54 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 12 different Robert S (PT) tracks.
Blackmailer V1 → Focus · 8A → 7A · +4 BPM · 90 chemistry
58 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 14 different Robert S (PT) tracks.
Skittish → Metamorphosis · 4A → 3B · same BPM · 89 chemistry
61 of the 416 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 12 different Robert S (PT) tracks.
Skittish V2 → Monkey City · 8A → 8A · same BPM · 93 chemistry
57 of the 624 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 10 different Robert S (PT) tracks.
Spectrum 303 → Insomnia · 10A → 10A · same BPM · 91 chemistry
68 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 14 different Robert S (PT) tracks.
Blackmailer V1 → Heavy Line · 8A → 8A · +1 BPM · 90 chemistry
67 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 13 different Robert S (PT) tracks.
One Night In Texas → Surrender · 1A → 1A · +2 BPM · 92 chemistry
54 of the 624 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 14 different Robert S (PT) tracks.
One Night In Texas → Swinging Chords · 1A → 2A · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Robert S (PT) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Robert S (PT), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Robert S (PT)'s tracks in our catalog range from 127 to 163 BPM, with a median of 130 BPM. Across 16 tracks, the most common range falls in the 130–135 BPM bucket.
Robert S (PT)'s tracks are mostly in minor keys (69% minor across 16 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Robert S (PT)'s 16 analysed tracks and every track by 12,460 other artists. 679 catalogues clear the bar by more than chance would give, and Alberto Ruiz, Drunken Kong, Luis M are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Skittish V2 into Take Off, 8A to 8A, 89 chemistry.
Robert S (PT) sits closest to Endlec, Golden Plate, Shdw in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.