Artist profile
Minimal / Deep Tech producer and DJ.
Plan a set with Rob Pearson tracks scored against the rest of the catalog
Rob Pearson is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Minimal / Deep Tech pocket.
Across 10 analysed tracks, Rob Pearson averages 76% groove — straighter than 68% of individual Minimal / Deep Tech tracks.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.


Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Rob Pearson’s 10 analysed tracks and every track by 12,460 other artists. 861 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
58 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Rob Pearson tracks.
Head Talk - Dark Dub Mix → All The Ladies · 8A → 8A · +1 BPM · 93 chemistry
52 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Rob Pearson tracks.
I Can Feel It → Phink · 8B → 8B · +2 BPM · 88 chemistry
52 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Rob Pearson tracks.
Turnin' Things Up → Rume - Aney F. Remix · 10B → 11A · −4 BPM · 88 chemistry
58 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Rob Pearson tracks.
Head Talk - Dark Dub Mix → Feeling Wrong (Feat. Alya AU) · 8A → 8A · +1 BPM · 91 chemistry
53 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Rob Pearson tracks.
Head Talk - Dark Dub Mix → The Pressure · 8A → 8A · +2 BPM · 91 chemistry
54 of the 300 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 9 different Rob Pearson tracks.
54 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Rob Pearson tracks.
Head Talk → What Really Said · 8A → 8A · −2 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Rob Pearson by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Rob Pearson, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Rob Pearson's tracks in our catalog range from 120 to 132 BPM, with a median of 123 BPM. Across 10 tracks, the most common range falls in the 125–130 BPM bucket.
Rob Pearson's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Rob Pearson's 10 analysed tracks and every track by 12,460 other artists. 861 catalogues clear the bar by more than chance would give, and Bizen Lopez, Daniel Meister, GruuvElement's are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Head Talk - Dark Dub Mix into All The Ladies, 8A to 8A, 93 chemistry.
Rob Pearson sits closest to The Kelly Project, Ymc, Sunkiss in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.