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Artist profile

Paul Strive

Paul Strive is a techno producer working in peak-time and driving styles. His work centers on the propulsive, hypnotic elements characteristic of contemporary techno production.

4 tracksTechno (Peak Time / Driving)· 2012
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Paul Strive is a high-energy with strong groove and drive and a bright production artist.

This artistTypical Techno (Peak Time / Driving)
Signature sound

Sits right in the typical Techno (Peak Time / Driving) pocket.

How this compares to Techno (Peak Time / Driving)

Across 4 analysed tracks, Paul Strive averages 74% energy — harder than 66% of individual Techno (Peak Time / Driving) tracks — and 64% groove, straighter than 61%.

Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 124–125 BPM with a median of 125 · predominantly major keys (25% minor) · most common key: 9B (G Major) with 2 tracks.

BPM spread
120–124
2
125–129
2
Key distribution
1A1B2A2B3A3B4A4B5A15B6A6B7A7B8A8B9A9B210A10B111A11B12A12B

Release volume by decade

1
2010s

Tracks in catalog

4 total · sortable
Take This Sound album art
Take This Sound
Paul Strive
124 BPM · 9B · Techno (Peak Time / Driving) · 50% Sustainer
Techno (Peak Time / Driving)
124
9B · G maj
50%Sustainer
—
Discussion album art
Discussion
Paul Strive, Zenbi
125 BPM · 10B · Tech House · 89% Peak time
Tech House
125
10B · D maj
89%Peak time
—
Century Fails - Sabb Remix album art
Century Fails - Sabb Remix
Paul Strive
124 BPM · 5A · Techno (Peak Time / Driving) · 100% Peak time
Techno (Peak Time / Driving)
124
5A · C min
100%Peak time
2012
Revenge album art
Revenge
Paul Strive
125 BPM · 9B · Techno (Peak Time / Driving) · 57% Builder
Techno (Peak Time / Driving)
125
9B · G maj
57%Builder
—

Missing one of theirs?

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Related artists

Top 15 by similarity

DJs and producers closest to Paul Strive by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Paul Strive, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Adrian Hour
100%
37 tracks in catalog · Techno (Peak Time / Driving)
Simone Tavazzi
61%
3 tracks in catalog · Techno (Raw / Deep / Hypnotic)
Sinisa Tamamovic
55%
36 tracks in catalog · Techno (Peak Time / Driving)
Tom Hades
53%
29 tracks in catalog · Techno (Peak Time / Driving)
Paride Saraceni
51%
26 tracks in catalog · Techno (Peak Time / Driving)
Hollen
51%
78 tracks in catalog · Techno (Peak Time / Driving)
Alex Niggemann
46%
41 tracks in catalog · Melodic House & Techno
Hermanez
43%
54 tracks in catalog · Organic House
Mikalogic
41%
3 tracks in catalog · Tech House
Raffaele Rizzi
37%
10 tracks in catalog · Techno (Peak Time / Driving)
Inxec
36%
7 tracks in catalog · Deep House
Ramiro Lopez
36%
72 tracks in catalog · Techno (Peak Time / Driving)
Reset Robot
36%
54 tracks in catalog · Techno (Peak Time / Driving)
Dani Sbert
35%
88 tracks in catalog · Minimal / Deep Tech
Giuseppe Cennamo
34%
3 tracks in catalog · Minimal / Deep Tech

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Paul Strive play at?+

Paul Strive's tracks in our catalog range from 124 to 125 BPM, with a median of 125 BPM. Across 4 tracks, the most common range falls in the 125–130 BPM bucket.

What key are Paul Strive's tracks in?+

Paul Strive's tracks are mostly in major keys (25% minor across 4 tracks). The most common single key is 9B (G Major) with 2 tracks.

Which artists share an audience with Paul Strive?+

Paul Strive sits closest to Adrian Hour, Simone Tavazzi, Sinisa Tamamovic in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.