Artist profile
Funky House producer and DJ.
Plan a set with Paul Orwin tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Paul Orwin is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Funky House pocket.
Across 11 analysed tracks, Paul Orwin averages 63% energy — harder than 70% of individual Funky House tracks — and 69% groove, straighter than 68%.
Measured against 8,332 Funky House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Paul Orwin’s 11 analysed tracks and every track by 12,460 other artists. 194 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Paul Orwin tracks.
Always There → Life Is Beautiful · 6A → 5B · −2 BPM · 89 chemistry
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Paul Orwin tracks.
Voices → Goldenmalz · 11B → 12B · −2 BPM · 88 chemistry
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Paul Orwin tracks.
Always There → Feel So Right (feat. Honey Dijon) - Tedd Patterson Club Remix · 6A → 6A · same BPM · 90 chemistry
28 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Paul Orwin tracks.
Let the Beat- Do Its Own Thing → Nobody · 3A → 3A · −1 BPM · 90 chemistry
23 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Paul Orwin tracks.
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Paul Orwin tracks.
Let the Beat- Do Its Own Thing → Loosing Control · 3A → 3A · −3 BPM · 90 chemistry
22 of the 396 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Paul Orwin tracks.
Carnt Help Me → Turn Up The Music · 1A → 1B · same BPM · 90 chemistry
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Paul Orwin tracks.
Touch Me → Soul Survivor - Extended Mix · 8A → 8A · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Paul Orwin by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Paul Orwin, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Paul Orwin's tracks in our catalog range from 125 to 135 BPM, with a median of 126 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Paul Orwin's tracks are mostly in minor keys (64% minor across 11 tracks). The most common single key is 11B (A Major) with 2 tracks.
We scored every transition between Paul Orwin's 11 analysed tracks and every track by 12,460 other artists. 194 catalogues clear the bar by more than chance would give, and Dan Corco, Dompe, Honey Dijon are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Always There into Life Is Beautiful, 6A to 5B, 89 chemistry.
Paul Orwin sits closest to K69, RE-AB Productions, Joey Slvr in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
