Artist profile
Pat Lok
Pat Lok is a house music producer working in funky and groove-oriented styles. His work centers on rhythmic, bass-driven production within the broader house music landscape.
Sound profile
Pat Lok is a moderate-energy with strong groove and drive — mostly instrumental artist.
Tracks in catalog
5 total · sortable
![In the Night (U Don't Know) [Club Mix]](https://i.scdn.co/image/ab67616d000048514ac36f3afb8d21f0311f4263)
Track | BPM · Key | Actions |
|---|---|---|
 So Good - Extended Mix Pat Lok, Kiinjo | 1284AF Minor | |
 So Fine - Extended Mix Pat Lok, Party Pupils | 1257AD Minor | |
 Set Me Free - Extended Mix Pat Lok, Kiinjo | 1258AA Minor | |
 Set Me Free - Big Dope P Remix Pat Lok | 1603AB♭ Minor | |
![In the Night (U Don't Know) [Club Mix] album art](https://i.scdn.co/image/ab67616d0000b2734ac36f3afb8d21f0311f4263) In the Night (U Don't Know) [Club Mix] Pat Lok | 1251AA♭ Minor |
Release volume by decade
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Pat Lok’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Pat Lok and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Pat Lok play at?
Pat Lok's tracks in our catalog range from 125 to 160 BPM, with a median of 125 BPM. Across 5 tracks, the most common range falls in the 125–130 BPM bucket.
What key are Pat Lok's tracks in?
Pat Lok's tracks are mostly in minor keys (100% minor across 5 tracks). The most common single key is 4A (F Minor) with 1 track.
What artists mix well with Pat Lok?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Pat Lok pairs well with Moon Boots, Jean Tonique, Disclosure. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
Keep exploring
Plan a set with Pat Lok tracks scored against the rest of the catalog
Pat Lok on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
