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Artist profile

Overlook

Breaks / Breakbeat / UK Bass producer and DJ.

6 tracksBreaks / Breakbeat / UK Bass
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Overlook is a high-energy with strong drive — vocal-forward artist.

This artistTypical Breaks / Breakbeat / UK Bass
Signature sound

Unusually high vocal presence and drive for Breaks / Breakbeat / UK Bass.

↑vocal presence↑drive↓brightness
How this compares to Breaks / Breakbeat / UK Bass

Across 6 analysed tracks, Overlook averages 64% energy — harder than 81% of individual Breaks / Breakbeat / UK Bass tracks.

Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 74–127 BPM with a median of 109 · predominantly minor keys (50% minor) · most common key: 4B (A♭ Major) with 1 track.

BPM spread
70–74
1
80–84
1
95–99
1
120–124
1
125–129
2
Key distribution
1A1B2A2B3A3B4A14B15A5B6A6B7A7B8A8B9A19B110A10B11A111B112A12B

Tracks in catalog

6 total · sortable
Magick album art
Magick
Overlook
84 BPM · 9A · Breaks / Breakbeat / UK Bass · 57% Builder
Breaks / Breakbeat / UK Bass
84
9A · E min
57%Builder
—
The Totem That Guides Us album art
The Totem That Guides Us
Overlook
127 BPM · 11B · Breaks / Breakbeat / UK Bass · 54% Sustainer
Breaks / Breakbeat / UK Bass
127
11B · A maj
54%Sustainer
—
Former Self album art
Former Self
Overlook
127 BPM · 9B · Breaks / Breakbeat / UK Bass · 100% Peak time
Breaks / Breakbeat / UK Bass
127
9B · G maj
100%Peak time
—
Lost Souls Club album art
Lost Souls Club
Overlook
74 BPM · 11A · Breaks / Breakbeat / UK Bass · 55% Sustainer
Breaks / Breakbeat / UK Bass
74
11A · F♯ min
55%Sustainer
—
Screen Burn album art
Screen Burn
Overlook, Positive Centre
97 BPM · 4A · Techno (Raw / Deep / Hypnotic) · 55% Builder
Techno (Raw / Deep / Hypnotic)
97
4A · F min
55%Builder
—
Seance album art
Seance
Overlook
120 BPM · 4B · Breaks / Breakbeat / UK Bass · 63% Builder
Breaks / Breakbeat / UK Bass
120
4B · A♭ maj
63%Builder
—

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Related artists

Top 15 by similarity

DJs and producers closest to Overlook by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Overlook, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Ruffhouse
100%
2 tracks in catalog · Drum & Bass · no artist page yet
Fanu
64%
2 tracks in catalog · Drum & Bass · no artist page yet
Forest Drive West
59%
31 tracks in catalog · Breaks / Breakbeat / UK Bass
dBridge
56%
32 tracks in catalog · Bass / Club
CLARITY
55%
11 tracks in catalog · Drum & Bass
Torn
54%
4 tracks in catalog · Ambient / Experimental
ASC
53%
30 tracks in catalog · Techno (Raw / Deep / Hypnotic)
dgoHn
50%
2 tracks in catalog · Drum & Bass · no artist page yet
Seba
47%
29 tracks in catalog · Drum & Bass
Technical Itch
46%
3 tracks in catalog · Drum & Bass
Deepbass
42%
7 tracks in catalog · Techno (Raw / Deep / Hypnotic)
Svarog
38%
22 tracks in catalog · Techno (Raw / Deep / Hypnotic)
Skeptical
37%
33 tracks in catalog · Drum & Bass
Loxy & Resound
34%
Not in our catalog yet
Breakage
33%
21 tracks in catalog · Drum & Bass

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Overlook play at?+

Overlook's tracks in our catalog range from 74 to 127 BPM, with a median of 109 BPM. Across 6 tracks, the most common range falls in the 110–115 BPM bucket.

What key are Overlook's tracks in?+

Overlook's tracks are mostly in minor keys (50% minor across 6 tracks). The most common single key is 4B (A♭ Major) with 1 track.

Which artists share an audience with Overlook?+

Overlook sits closest to Ruffhouse, Fanu, Forest Drive West in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.