Artist profile
Outside The Universe is a psy-trance producer working within the deeper, atmospheric end of the genre. Their sound emphasizes hypnotic rhythms and textural synthesis characteristic of contemporary psychedelic electronic music.
Compare with another artistPlan a set with Outside The Universe tracks scored against the rest of the catalog
Outside The Universe is a high-energy with strong groove and drive — vocal-forward artist.
Sits right in the typical Psy-Trance pocket.
Across 9 analysed tracks, Outside The Universe averages 70% energy — harder than 61% of individual Psy-Trance tracks — and 72% groove, straighter than 61%.
Measured against 15,751 Psy-Trance tracks on 11 August 2026.
How Outside The Universe’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Psy-Trance tempo.
Across Outside The Universe's catalog, tempos have eased from ~144 to ~109 BPM; production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Outside The Universe’s 9 analysed tracks and every track by 12,460 other artists. 280 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
43 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Outside The Universe tracks.
All Systems Go → R.A.V.E. · 7B → 7B · +2 BPM · 92 chemistry
55 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Outside The Universe tracks.
46 of the 342 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 9 different Outside The Universe tracks.
All Systems Go → Massive Whack · 7B → 7B · same BPM · 93 chemistry
45 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Outside The Universe tracks.
4D World → Lucid Dream · 5B → 5B · same BPM · 91 chemistry
57 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Outside The Universe tracks.
All Systems Go → Galactic Riders - TRANSIENT DISORDER REMIX · 7B → 6B · same BPM · 92 chemistry
50 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Outside The Universe tracks.
Electric Memories → Flyover · 2B → 1B · same BPM · 89 chemistry
46 of the 324 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 9 different Outside The Universe tracks.
Electric Memories → Revelation · 2B → 2B · +2 BPM · 90 chemistry
44 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 9 different Outside The Universe tracks.
All Systems Go → Riding The Wave · 7B → 7B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Outside The Universe by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Outside The Universe, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Outside The Universe's tracks in our catalog range from 109 to 147 BPM, with a median of 144 BPM. Across 9 tracks, the most common range falls in the 145–150 BPM bucket.
Outside The Universe's tracks are mostly in major keys (11% minor across 9 tracks). The most common single key is 2B (F♯ Major) with 4 tracks.
We scored every transition between Outside The Universe's 9 analysed tracks and every track by 12,460 other artists. 280 catalogues clear the bar by more than chance would give, and Earthspace, Lunatica, Mekkanikka are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: All Systems Go into R.A.V.E., 7B to 7B, 92 chemistry.
Outside The Universe sits closest to Killerwatts, Shivatree, Spirit Architect in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Outside The Universe releases spanning 2015 to 2020, with the most tracks from the 2010s.