Artist profile
Or:la is a bass and club music producer working within electronic and dance traditions. Their work engages with contemporary club production aesthetics and sound design.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Or:la tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Or:la is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 9 analysed tracks, Or:la averages 62% groove — groovier than 76% of individual Bass / Club tracks.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Or:la’s 9 analysed tracks and every track by 12,460 other artists. 23 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Or:la tracks.
A Howl's A Howl → G Spott · 4B → 5A · −2 BPM · 86 chemistry
13 of the 180 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 3 different Or:la tracks.
A Howl's A Howl → Hello · 4B → 5A · −2 BPM · 90 chemistry
13 of the 315 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Or:la tracks.
A Howl's A Howl → Panic Nights · 4B → 3B · −2 BPM · 90 chemistry
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Or:la tracks.
Moonlight Crush → Lost Dub · 10B → 9B · −4 BPM · 85 chemistry
12 of the 153 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 3 different Or:la tracks.
A Howl's A Howl → Acid Viewer · 4B → 4B · −2 BPM · 87 chemistry
19 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Or:la tracks.
13 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different Or:la tracks.
A Howl's A Howl → The One · 4B → 5A · same BPM · 90 chemistry
16 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 5 different Or:la tracks.
A Howl's A Howl → Back To The Old School · 4B → 4A · −2 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Or:la by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Or:la, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Or:la's tracks in our catalog range from 66 to 162 BPM, with a median of 132 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
Or:la's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Or:la's 9 analysed tracks and every track by 12,460 other artists. 23 catalogues clear the bar by more than chance would give, and Ben Murphy, Jamback, Javier Labarca are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: A Howl's A Howl into G Spott, 4B to 5A, 86 chemistry.
Or:la sits closest to Hodge, 96 Back, Dam Swindle in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
