Artist profile
OMAAR is a bass and club music producer working in electronic and dance contexts. Their work engages with contemporary club production aesthetics and low-end sound design.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with OMAAR tracks scored against the rest of the catalog
OMAAR is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 8 analysed tracks, OMAAR averages 60% groove — groovier than 73% of individual Bass / Club tracks — and 49% energy, gentler than 59%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between OMAAR’s 8 analysed tracks and every track by 12,460 other artists. 7 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 7 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different OMAAR tracks.
11 of the 136 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 5 different OMAAR tracks.
Druman → LARRY OG - OLDHEAD MIX · 1B → 2A · +1 BPM · 89 chemistry
15 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different OMAAR tracks.
Druman → No Single Thing · 1B → 2B · same BPM · 87 chemistry
22 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different OMAAR tracks.
Drumplate → Dancing Lemurs · 1B → 2A · −2 BPM · 90 chemistry
14 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different OMAAR tracks.
11 of the 152 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 4 different OMAAR tracks.
Drumplate → Kleidoplasm · 1B → 2A · same BPM · 90 chemistry
12 of the 248 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 5 different OMAAR tracks.
Groove → The Cobra's Dance (feat. Luru) · 2A → 2A · +4 BPM · 80 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to OMAAR by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around OMAAR, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
OMAAR's tracks in our catalog range from 65 to 132 BPM, with a median of 127 BPM. Across 8 tracks, the most common range falls in the 125–130 BPM bucket.
OMAAR's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 1B (B Major) with 2 tracks.
We scored every transition between OMAAR's 8 analysed tracks and every track by 12,460 other artists. 7 catalogues clear the bar by more than chance would give, and Big Dope P, DJ Swisha, Hodge are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Druman into LARRY OG - OLDHEAD MIX, 1B to 2A, 89 chemistry.
OMAAR sits closest to Lao, El irreal Veintiuno, Ariel Zetina in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.