Artist profile
New Order are an English electronic band that emerged from the post-punk scene in Manchester during the early 1980s, evolving into pioneers of dance and synth-pop. Their influential blend of angular guitars, synthesizers, and programmed rhythms defined much of the electronic music landscape across subsequent decades.
Compare with another artistPlan a set with New Order tracks scored against the rest of the catalog
New Order is a restrained with strong groove and a balanced bright/warm production artist.
Higher vocal presence but lower energy than typical Dance.
Across 13 analysed tracks, New Order averages 39% energy — gentler than 95% of individual Dance tracks.
Measured against 14,418 Dance tracks on 11 August 2026.
Most tracks sit between 65–154 BPM with a median of 128 · predominantly major keys (38% minor) · most common key: 10B (D Major) with 3 tracks.
How New Order’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dance tempo.
Across New Order's catalog, tempos have eased from ~136 to ~127 BPM; energy has lifted; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between New Order’s 13 analysed tracks and every track by 12,460 other artists. 44 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
15 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 6 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Universal Motion · 10B → 9B · +2 BPM · 85 chemistry
14 of the 221 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 4 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → No Me Gusta - Julian Sanza & Alvaro Cabana Aquí No Hay Playa Remix · 10B → 9B · +2 BPM · 86 chemistry
19 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Drifter · 10B → 10B · +2 BPM · 89 chemistry
18 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Bladed · 10B → 11B · −2 BPM · 87 chemistry
15 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 4 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Dreamtronika · 10B → 11A · +2 BPM · 88 chemistry
16 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Jenny · 10B → 11B · same BPM · 86 chemistry
18 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different New Order tracks.
People On The High Line - Claptone Remix → Trainmann - Tensnake Franceman Mix · 7A → 6A · +1 BPM · 88 chemistry
16 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 4 different New Order tracks.
People On The High Line - LNTG Can't Get Any Higher Remix → Fountain Gate - Chinaski Remix · 10B → 10B · +6 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to New Order by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around New Order, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
New Order's tracks in our catalog range from 65 to 154 BPM, with a median of 128 BPM. Across 13 tracks, the most common range falls in the 130–135 BPM bucket.
New Order's tracks are mostly in major keys (38% minor across 13 tracks). The most common single key is 10B (D Major) with 3 tracks.
We scored every transition between New Order's 13 analysed tracks and every track by 12,460 other artists. 44 catalogues clear the bar by more than chance would give, and Alinka, Alvaro Cabana, Damon Jee are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: People On The High Line - LNTG Can't Get Any Higher Remix into Universal Motion, 10B to 9B, 85 chemistry.
New Order sits closest to Electronic, Joy Division, The Other Two in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has New Order releases spanning 1988 to 2020, with the most tracks from the 2010s.