Artist profile
Nautica is a UK-based producer working in minimal and deep techno. Their work emphasizes stripped-back production and understated groove, contributing to the deeper end of electronic dance music.
Compare with another artistPlan a set with Nautica (UK) tracks scored against the rest of the catalog
Nautica (UK) is a high-energy with strong groove and drive artist.
Unusually high energy and drive for Minimal / Deep Tech.
Across 29 analysed tracks, Nautica (UK) averages 73% energy — harder than 82% of individual Minimal / Deep Tech tracks — and 81% groove, straighter than 58%.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Nautica (UK)’s 29 analysed tracks and every track by 12,460 other artists. 1,372 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
85 of the 783 transitions between these catalogues reach 80 chemistry. Chance would give 4.5. They come from 23 different Nautica (UK) tracks.
Cold Response → Temptation · 6A → 6A · same BPM · 93 chemistry
101 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 22 different Nautica (UK) tracks.
91 of the 870 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 17 different Nautica (UK) tracks.
91 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 22 different Nautica (UK) tracks.
Hear That Sound → Body Banger · 7A → 6A · same BPM · 90 chemistry
94 of the 725 transitions between these catalogues reach 80 chemistry. Chance would give 4.2. They come from 21 different Nautica (UK) tracks.
88 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 20 different Nautica (UK) tracks.
Trapped → In Village · 8A → 8A · +1 BPM · 92 chemistry
91 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 21 different Nautica (UK) tracks.
Cold Response → ZRH · 6A → 6A · −1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Nautica (UK) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Nautica (UK), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Nautica (UK)'s tracks in our catalog range from 126 to 130 BPM, with a median of 128 BPM. Across 29 tracks, the most common range falls in the 130–135 BPM bucket.
Nautica (UK)'s tracks are mostly in minor keys (83% minor across 29 tracks). The most common single key is 6A (G Minor) with 6 tracks.
We scored every transition between Nautica (UK)'s 29 analysed tracks and every track by 12,460 other artists. 1,372 catalogues clear the bar by more than chance would give, and FIRZA, Gabriel Evoke, Gruuve are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Cold Response into Temptation, 6A to 6A, 93 chemistry.
Nautica (UK) sits closest to Harry Romero, Saison, M-High in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.