Artist profile
Mute is a Spanish producer working in breakbeat and UK bass styles. Their work emphasizes rhythmic fragmentation and low-end design within the broader breaks tradition.
Plan a set with Mute (ES) tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mute (ES) is a moderate-energy and a balanced bright/warm production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 9 analysed tracks, Mute (ES) averages 59% energy — harder than 68% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mute (ES)’s 9 analysed tracks and every track by 12,460 other artists. 88 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
35 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Mute (ES) tracks.
27 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Mute (ES) tracks.
Acid Time → Losing Control · 11B → 12A · −3 BPM · 89 chemistry
30 of the 333 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different Mute (ES) tracks.
Old School Flavour → Rhythm Is Hot · 7B → 7B · +2 BPM · 88 chemistry
32 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Mute (ES) tracks.
Spin Breaks → Shadow Circuit · 11A → 11A · same BPM · 90 chemistry
28 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Mute (ES) tracks.
White Demon → Paranormal Activity · 10B → 11A · same BPM · 87 chemistry
26 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 6 different Mute (ES) tracks.
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Mute (ES) tracks.
Acid Time → Haunted House · 11B → 12A · −3 BPM · 88 chemistry
31 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Mute (ES) tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mute (ES) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mute (ES), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mute (ES)'s tracks in our catalog range from 100 to 135 BPM, with a median of 135 BPM. Across 9 tracks, the most common range falls in the 135–140 BPM bucket.
Mute (ES)'s tracks are mostly in major keys (44% minor across 9 tracks). The most common single key is 11A (F♯ Minor) with 2 tracks.
We scored every transition between Mute (ES)'s 9 analysed tracks and every track by 12,460 other artists. 88 catalogues clear the bar by more than chance would give, and Bad Legs, Bowser, DJ Brownie are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Acid Time into Retroid, 11B to 10B, 91 chemistry.
Mute (ES) sits closest to Belvedere, Much The Same, A Wilhelm Scream in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
