Artist profile
Drum & Bass producer and DJ.
Plan a set with Mollie Collins tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mollie Collins is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 8 analysed tracks, Mollie Collins averages 71% energy — harder than 79% of individual Drum & Bass tracks — and 45% groove, groovier than 60%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mollie Collins’s 8 analysed tracks and every track by 12,460 other artists. 409 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
41 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Mollie Collins tracks.
Oxide & Neutrino → Skrewface · 6A → 7A · −1 BPM · 91 chemistry
45 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Mollie Collins tracks.
Oxide & Neutrino → Walk Like A Junglist · 6A → 6A · −1 BPM · 93 chemistry
40 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different Mollie Collins tracks.
Another Day feat. Marianna Ray → Tired · 1A → 1A · same BPM · 91 chemistry
41 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Mollie Collins tracks.
Oxide & Neutrino → Leave · 6A → 6A · −1 BPM · 91 chemistry
43 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Mollie Collins tracks.
Oxide & Neutrino → Smelly · 6A → 6A · same BPM · 93 chemistry
42 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Mollie Collins tracks.
Another Day feat. Marianna Ray → Part of Me · 1A → 12B · same BPM · 91 chemistry
40 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Mollie Collins tracks.
Oxide & Neutrino → Time On Our Side · 6A → 5B · −1 BPM · 92 chemistry
42 of the 272 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 5 different Mollie Collins tracks.
Another Day feat. Marianna Ray → Impossible · 1A → 1A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mollie Collins by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mollie Collins, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mollie Collins's tracks in our catalog range from 86 to 130 BPM, with a median of 88 BPM. Across 8 tracks, the most common range falls in the 90–95 BPM bucket.
Mollie Collins's tracks are mostly in minor keys (75% minor across 8 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Mollie Collins's 8 analysed tracks and every track by 12,460 other artists. 409 catalogues clear the bar by more than chance would give, and Amplify, Benny Page, Coppa are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Oxide & Neutrino into Skrewface, 6A to 7A, 91 chemistry.
Mollie Collins sits closest to goddard., A Little Sound, Charlotte Haining in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.