Artist profile
MKJAY is a bass house producer working within the darker, percussion-driven end of the genre. Their sound emphasizes heavy low-end design and rhythmic intensity.
Plan a set with MKJAY tracks scored against the rest of the catalog
MKJAY is a high-energy with strong groove and drive artist.
Sits right in the typical Bass House pocket.
Across 14 analysed tracks, MKJAY averages 71% groove — straighter than 57% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between MKJAY’s 14 analysed tracks and every track by 12,460 other artists. 357 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
25 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different MKJAY tracks.
Okay Obey → I Love Buttons · 8B → 8B · +3 BPM · 89 chemistry
27 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different MKJAY tracks.
Okay Obey → Space Funk · 8B → 8B · −1 BPM · 90 chemistry
29 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different MKJAY tracks.
Okay Obey → Flotante - Extended Mix · 8B → 8B · +2 BPM · 89 chemistry
25 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 5 different MKJAY tracks.
Okay Obey → Out Of Hand · 8B → 7B · +1 BPM · 86 chemistry
25 of the 546 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 6 different MKJAY tracks.
Lock Of The Rave (feat. JC Stormz) → Warehouse · 7A → 7A · +1 BPM · 90 chemistry
28 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different MKJAY tracks.
Okay Obey → Come On Everybody · 8B → 8B · −2 BPM · 91 chemistry
25 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 4 different MKJAY tracks.
Okay Obey → Frontiers - Sascha Dive's Going Down Remix · 8B → 7B · −1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to MKJAY by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around MKJAY, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
MKJAY's tracks in our catalog range from 66 to 132 BPM, with a median of 125 BPM. Across 14 tracks, the most common range falls in the 125–130 BPM bucket.
MKJAY's tracks are mostly in minor keys (79% minor across 14 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between MKJAY's 14 analysed tracks and every track by 12,460 other artists. 357 catalogues clear the bar by more than chance would give, and Bizen Lopez, Christian Burkhardt, Daniel Steinberg are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Okay Obey into I Love Buttons, 8B to 8B, 89 chemistry.
MKJAY sits closest to Sterium, Jho Roscioli, Visage Music in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.